Showing posts with label 5B International related artists. Show all posts
Showing posts with label 5B International related artists. Show all posts

25 Dec 2009

The DollyCamp (IX): En afton med Michael Jackson

Last December 10th, 2009, the director Jessica Nettelbladt was in FilmCentrum Syd, Malmö, showing sequences from her documentary "Dollykollot" (The DollyCamp), which is currently being cut, and talked about recording this film in Malmö, Gothenburg, Stockholm, Berlin, New York, Nashville, Dollywood and Iceland. The plot of this documentary is simple: four singers and a music producer (Nina Persson, Cecilia Nordlund, Lotta Wenglén, Helena Josefsson, and Gudrun Hauksdottir), met through a tribute to Dolly Parton and become close friends.

2009.12.25 En afton med Michael Jackson - Malmö

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Picture by Sofia Josefsson


Debaser Malmö payed homage to Michael Jackson on December 25th, 2009.
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Picture by Johan Bävman (sydsvenskan.se)
  • Fre 25 Dec Inne: 19-03
  • 135 kr + förköpsavgift. Biljetter finns hos Tickster, Skivlagret och hos Folk och Rock.
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Forrest & Crispian, Paulina, Asha Ali, Vivian Buczek, Jonas Drejholt and Helena Josefsson took part in the concert. It also features the usual Aftonorkestern, usually with Magnus Sveningsson
(Righteous Boy, The Cardigans) on bass, Nathan Larson on guitar and Patrik Bartosch (Eggstone) on keyboards. There is also a show "En afton med Michael Jackson" in Debaser Medis in Stockholm booked for tomorrow December 26th, but Helena will not play there.





Do you want some reviews from the concert? According to Håkan Engström, from sydsvenskan.se, "fast nothing could beat Helena Josefsson tonight". Emma Sonesson (aka BiLLY), administrator of the HJ Fanclub Portal, wrote: "Yesterday was a nice concert :D but I couldn't take a pic! :(".

"En afton med ..." is a project by Debaser Malmö, SVT and Monbio. Visit: www.enafton.com. "En afton med Michael Jackson" (A night with M.J.) is the last show of this project after three years of homages, including nights with Bruce Springsteen, David Bowie or Depeche Mode. Artists like Nina Persson, Tingsek or Titiyo have been doing really good covers of their idols' hits. Helena Josefsson was also in "En afton med Dusty Springfield" (December 2007) and in "En afton med Blondie" (February 2008). Some of the shows were recorded for the documentary "The DollyCamp".




Helena Josefsson - Beat It


Helena Josefsson - Ain't No Sunshine


I was in love with Michael Jackson as a young teenager and still love his music and dancing. It will be fun! I have seen Michael Jackson twice, the Dangerous tour and the History tour. And I was so in love with him as a girl, making drawings of him, sending him letters that I wrote in gold :o) I will enjoy singing his music. I think he was amazing, cause he had the voice, the composing talent, the amazing rhythm-feel not to mention his moves!

It is exciting to sing his songs and I will try to do it properly even though it can never be as good as he did it. I will sing Beat it and Ain´t no sunshine with my own Swedish lyrics on them. I was thinking of Dirty Diana at first but someone else got it before me :o) I think my favourite songs are Human Nature, Beat it and Dirty Diana.

I will not play in Debaser Medis, and I haven´t been asked to. It´s good ´cause I want to be home to spend Christmas with my little family :o) I hope you will have a wonderful christmas! Helena!
Helena Josefsson (Sandy Mouche)


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Picture by Sofia Josefsson

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Picture by Sofia Josefsson

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Picture by Sofia Josefsson

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Picture by Sofia Josefsson

Incomprehensible and terribly sad. A master left us. We will never experience anyone like Michael Jackson again.
Per Gessle

History:

3 Sept 2009

The DollyCamp (VIII): the trailer



LJdM readers can remember the story, but there are news and pictures about it.

In 2004, Nina Persson (from the Cardigans) gave Dolly Parton's biography to her friend Gudrun Hauksdottir to read and both grew even bigger Dolly fans then before.

They contacted the director Jessica Nettelbladt and together decided to record a film about five female singers from Malmö: Cecilia Nordlund, Lotta Wenglén, Helena Josefsson, Gudrun Hauksdottir and Nina Persson.

The movie, The Dollycamp (originally, "Dollykollot, Den långa resan till Dollywood"), with the five singers playing themselves, tells their musical love, friendship and music projects connected to Dolly for a time span of 4 years.

The documentary is trying to show what their idol, Dolly, or idols in general could mean to the singers, how it influences these 5 musicians and if you can succeed in "finding" your idol.

The trailer is now in Dailymotion and could be premiered very soon. Watch it, please!



Martin is taking care of our baby during the days and I have started studying in Copenhagen. So there are quite some things to get used to time lacking and more love than I could ever imagine a baby could make me feel!

A little sneak-peak at the trailer of the music-documentary that is about to be finished! It´s about 5 female musicians from Malmö, of which I am one! Looki looki!

The movie contains music from me, new and old ones! All of us who are part of the movie have an equal part and all of us have music in it too!
Helena Josefsson (Sandy Mouche)

Comments by fans:
The trailer of the movie looks very cool! I know Nina Persson very well, even saw her live in Petersburg in 2007, the Cardigans were fantastic, since I was in school we all sang "My favourite Game" and Cecilia Nordlund was supposed to shot the video for you, right? Hope this story would be released somehow soon, looks fantastic really!)))

Glad to know you're fine and everything goes well. I hope you have a splendid October and see you soon again on tour. The Party Crasher on the Road was fantastic, I saw a DVD trailer and almost cried! The German lives were amazing! How could you make such a brilliant music? ;))

All the best wishes and kind regards,
You're GREAT!!!! ))) Il.

Ilya Volkov -(a.k.a. Kreecher)- Roxette House


During the time while Helenas debut album "Dynamo" was released, when she had her promotion gigs all over Sweden, I notice a girl that was there filming sometimes. It was for a documentary about some Swedish female musicians from Malmö. Now you can se the trailer to the documentary.

30 Aug 2009

P, C & C and their rox-prom nights (II): Latvia and more Roxette

Roxette’s Per Gessle and noted Swedish music journalist Sven Lindström celebrate the summer season with a countdown of the 50 greatest Scandinavian summer songs of all time on The Spectrum’s Nordic Rox, SIRIUS XM’s Scandinavian music show, July 12. Listeners will hear songs by Peter Bjorn and John, Eagle-Eye Cherry, ABBA, Roxette and more. See the list in the comments of this article.

Roxette performed live at Jurmala, Latvia and the New Wave festival last July 28. It seems Roxette will play the same five songs as on the Night of the Proms; "Wish I Could Fly," "The Look," "Joyride," "It Must Have Been Love" and "Listen to Your Heart." And just to be clear; since this was a TV-show Roxette did not perform live, but lipsync. The band included Marie, Per, Clarence Öfwerman, Jonas Isaacson, Pelle Alsing and Christoffer Lundquist.

2009.07.12 Roxette - Latvia

According to Per Gessle the seven new Roxette remasters (2009 versions) will be released September 28. All physical albums will have no more than three bonus tracks each, except for "Tourism" which only gets two. Per explains on Roxette's own site - roxette.se - that it was neither EMI's nor Roxette's intentions to put out collector's items, but new versions of older catalogue titles and that demos and such will be taken care of otherwise.

2009 - [ingenting] - Tomhet, idel tomhet

Meanwhile, the band from Stokholm [ingenting] has released the first single, HALLELUJA!, off their third album, "Tomhet, idel tomhet" (to be released on September 9, 2009; Labrador Records). The album was recorded and mixed by Christoffer Lundquist at AGM Studios, Vallarum, and produced by Jari Haapalainen. The members of the band are Niklas Lundell (percussion), Christopher Sander (guitar, vocals), Mattias Bergqvist (drums), Sebastian Ross (bass), Tobias Måård (guitar) and Andreas Jeppsson (keyboards).

This is not the last 2009 CL's project as producer. Between 25th August and 11th September, he will be recording new songs for Brandur Enni's upcoming album.


For Latvia, we are bringing C&C - Christoffer and Clarence on bass and keyboards respectively, Pelle Alsing on drums and Jonas Isacsson on guitar. I recorded 2 new demos while visiting the ‘Aerosol Grey Machine-palace’ in July. Both are played on banjo. And both are primarily for Roxette for sure. Clarence and Christoffer are currently working on the Night Of The Proms strings arrangies. Songs sounds great. I never knew I had written epic symphonic music!!!

This is my Twitter-Radio of June and July:
  • July 14: Ruby, don’t take your love to town. Kenny Rogers. Great beard.
  • July 13: Evil hearted Ada. The Flamin’ Groovies. Used to play this a lot with the GT-lads late 70’s.
  • July 12: Fleet Foxes are quite good. Sunday treat: Found my old Paperback writer/Rain 7″-single!!! (Info to all you young people: It’s by The Beatles!). My God, it sounds good!
  • July 11: Cars. Gary Numan.
  • July 10: It Never Rains in Southern California – Albert Hammond
  • July 9: Outstanding song of the day: Urge for going. Joni Mitchell. Telstar. The Tornados.
  • July 7: Forever young. Dylan. Live at David Letterman 1993. It’s on YouTube. http://bit.ly/rq4CX
  • July 6: Red balloon. Tim Hardin.
  • July 5: Nancy Sinatra & Lee Hazlewood. Did you ever.
  • July 4: Have you seen her. The Chi-Lites. Magnificent.
  • July 3: Can’t make up my mind between L’important c’est la rose/Gilbert Becaud & Making plans for Nigel/XTC. Can you?
  • July 2: Waiting on a friend. The Rolling Stones. Made for the shade.
  • July 1: Somebody to love. Brad Newman. There’s a Swedish version as well. Någon att hålla i hand. Sven-Ingvars. Almost as good.
  • June 30: Sweet Tuesday song of the day: Steve Miller Band: Fly like an eagle. Sounds old. And young.
  • June 29: I don’t like Mondays. Boomtown Rats. Never liked that one. Manic Monday. Bangles. There you go.
  • June 28: Sunday Ditty of the Day: Sally Simpson by the Who. It’s on Tommy.
  • June 27: Duncan. Paul Simon. A masterpiece, never liked the flutes, though….
  • June 26: Billie Jean. MJ. Outstanding. Unbelievably good.
  • June 25: Hard to handle. Patti Drew. They don’t do ‘em like this anymore!
  • June 24: Invisible to her. Brainpool. -”And all the boys are goin’ aaaah!”. Brilliant!
  • June 23: A man without love. Engelbert Humperdinck. You need music like this once in a while.
  • June 22: Donovan. Hey Gyp (Dig the Slowness). AC/DC last nite. Excellent popcorn!
  • June 21: Fresh strawberries and Bend me, Shape me (American Breed). Flavours of the day.
  • June 20: Anything by Erik Satie…
  • June 19: Neanderthal man. Hotlegs. Cheers.
  • June 18: She’s so high. Tal Bachman. Hated it on the radio a couple of years ago. Love it now. Is there a lesson to be learned from this?
  • June 17: Watched quite terrible David Bowie-DVD “Plastic soul review” last nite. However, song of the day must be his Young Americans. Superb!
  • June 16: Rebel yell. Billy Idol. Purrfect. Followed by All the way to Reno. REM. When they’re good they’re outstanding.
Per Gessle




I never listened to The Beatles in mono. When I was kid I was listened to it in stereo. So I don’t care about the mono, even for the albums that are supposed to be mono. I like the band there (points at the right ear) and the voice there (points at the left ear), because that’s what I heard when I was 10 years old, that’s right for me. I am actually so nerdy that…there’s a Japanese guy who got old Beatles records and transferred them to digital without touching them, straight into the computer and sold that as a bootleg. I got those, so I can listen to them .. He turned them into MP3, but good quality MP3, but it sounds more like you’re used to. I prefer that. I bought a couple of the Beatles stereo records and being a total nerd I have listened to them. Clarence Öfwerman and I listened to them in the dressing room and we both reacted the same way: “It’s changed! It’s not the same”. I am really big on that. You should never change a record, you shouldn’t try to improve them. You can’t improve something that is already done. When it’s done it’s done. It’s like you add a new color to Mona Lisa. They haven’t remixed the songs or anything like that. I think they want back generations in the masters, which changes the sound a lot and you sort of hear details that you never heard before. And the levels changed like the piano isn’t that loud.. Roxette remasters are most subtly done I think. Less change… Yes, there is a difference, but it’s not that big. But it’s bad when artists remix their old records or improve them or update them. Don’t change them. They should be as they always were. No new Beatles remastering for me.

All these stuff they put on records for copy protection, that’s bullshit of course, you can’t do that to people. And it’s the same when you buy stuff on the internet. Before you could have a file only on a couple of computers and so on. I mean, come on – you buy it and it’s yours. Like they do with movies – all the region stuff is idiotic, that’s bad and that’s how they are ruining their own life, because people download it illegally then. I think it’s just off the track. There must be a connection between the people who get it and the people who made it, who should get something for it. That’s the only important thing. And downloading is fine, when it’s not 90%. But Spotify is sort of difficult, too. It’s a great great concept and so much fun, but you get something played 4 million times and then you get 1000 Euro for it. I mean, no one can survive. And about the whole downloading discussion. You mentioned people first download and then buy when they like it, that’s true, but the people who suffer the most aren’t the big ones. That people always say: “Oh, we steal from Madonna, who cares , Michael Jackson, Roxette, they have so much money”. But smaller artists just disappear. They earned just enough to be able to make a new record and now they don’t anymore. So you get no new music. That’s really sad. It’s more about the small ones for me.



The first session in Aerosol Grey Machine Studios was for one week in March. The producer Christoffer Lundquist had to go on a tour with Per Gessle, so we waited 6 months and I returned to his legendary studio on a warm summer day - August 25th. In July - Jana & Tony recorded a video for Sometimes Truth Needs a Lie, in a deserted mental hospital in Sundvall. The place was very creepy...but it was perfect for the video. you can watch it here:



During the summer I had a few concerts in Stockholm and one in the Faroe Islands as well as being opening-act for some big outdoor concerts in Stockholm, Gränna, Borås, Liseberg - Göteborg , for Sanna Nilssen, Shirly Clamp, Sonja Aldén and Charlotte Perrelli. In August before returning to the studio. I went on an Inter-rail trip together with three friends of mine, down through France, Germany, Schweitz and Italy. I had to keep my voice fit beacuse I was going to the studio directly after the trip. My friend Jonas Molinder and I played on the streets in pretty much every town we visited...we met so many wonderful people out there. When we played in Venice a french beat boxer came to join us, and he was fantastic...everybody gathered around us and we went on for a great while... The pleasure in seeing people stop just to listen felt amazing, 'cause they don't know who you are, they don't even care - they just listen to what they hear and stop if they really like it....no pressure - just some honest music-lovers ;)

4 May 2009

The Party Crasher Tour - Concert Nr.11: London

4.5 London, Islington Academy


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Having recovered from feeling a bit under the weather in Gent, Per Gessle was in top form Monday night when he and his band performed at the Islington Academy in front of a very appreciative crowd, according to TDR. Fans from Brazil — almost all of whom had flown into London just to attend this concert — made up the largest contingent of fans from outside the UK. Having also travelled from overseas, some long-time fans from California (USA) and Canada were there as well enjoying the show. While the set list remained the same, "Hey, Mr. DJ" was moved from it's position in Gent just after the band introductions to become one of the encore songs.





I was at Per Gessle’s London show incidentally, and it was magic. My music might be too far removed from Roxette to warrant a posting on roxeblog.com, since I’ve never actually played with Per, but I wanted to keep you in the loop!

This week I am promoting my new animated video for the song Goodbye London which you can find on YouTube. I recorded the song in AGM Studios with Christoffer Lundquist, Magnus Börjeson and Jens Jansson. My wife Dora and I are were getting ready to leave London after spending an extended period of time there and I started to get nostalgic about the place. Pretty much everything in the song is just how it happened. I was running out of money, sick of playing in smoky clubs (this was pre-smoking ban) and Dora had insomnia. I’d just been fined £100 because a CCTV camera had caught the back wheel of my car on the very edge of a zebra crossing when I stopped for one minute at midnight in South End Green to use a bank machine that turned out to be out of order. At least I got a good lyric out of it! I had to balance the hate with the love though, because I do love the place and I can never stay away for long.



I approached Murray with the idea of creating a video that highlighted the bitter-sweet sentiment of the lyric. The only animation reference I gave him was that I had in mind the very frenetic style of animation used in the Rhubarb And Custard cartoons when we were kids. In terms of content I suggested that some of the video be very literal interpretation of the lyric, but that he should feel free to depart from that at will, which I think he did beautifully. He came up with the photo/animation idea and drafted a rough storyboard, most of which wound up in the finished piece. In terms of the techniques, let me quote Murray: “All the stop motion photos were taken around London, and I added the drawn 2-D animation using After Effects.”

I started travelling to Canada in the early 90’s and fate took me back there again and again. I emigrated to Toronto unofficially in 1997 but wound up back in London for a spell in 2006. The song was written at the end of that period. In London I always felt surrounded by people in a way that I don’t here. Life is much more laid back in Toronto. I feel less pressure to work all the time, and perhaps because of that freedom I probably work a lot more. And we have actual seasons in Toronto…you know, really hot in Summer, really cold in Winter… You can’t beat London for cultural diversity though. I was always spoiled as to what to do on any given evening. Not so here, although the Toronto Fringe is on right now which is brilliant. Also, the quality of the food here’s generally not as good as in London. Not so much the restaurants, but the stuff you buy in the supermarket. Similarities? They both have an equal number of fantastic people and idiots, they both have beautiful green spaces for me to walk my dog, and you can’t get a decent bite to eat after 10pm in either town.

I would have to say the most memorable London venue I played at was the old Marquee club on Charing Cross Road. I was still in school doing my A-Levels but was having a lot of fun playing in a band called Vodka Rubber Legs and when we got booked into the Marquee I couldn’t believe it. It was a club I went to all the time to see my favourite bands. We were opening for a couple of well-known bands and the place was pretty packed. Incidentally we had a song called Hampstead Queen which was a lot of fun to play. Last I looked the Marquee was a hip wine bar called The Moon Under Water. More than anything else I miss the record shops I used to go to. Almost all of them are gone now. The internet pulled the rug out from under them…it’s really sad. And Jade Boulangerie in South End Green. It’s changed hands and names…still looks the same but you can’t get the ham and cheese croissant any more. I cry.

<a href="http://lukejackson.bandcamp.com/album/and-then-some">Come Tomorrow by Luke Jackson</a>

The entire process of making this album was one of following my intuition. My philosophy was that so long as I could afford to do something, if an option was there I would explore it. I was invited to record at the studio in Sweden by my friends there. That was an incredible opportunity. Some of the ballads called for string arrangements and I’d had some contact with Robert Kirby before (when I mounted an ambitious Nick Drake tribute night a few years earlier), so the option to get in touch with him to write the string parts was there, and I took it. I never thought he’d say yes, but I’m an “if you don’t ask you don’t get” kind of person, so I asked. Robert’s string parts called for nine players, and Christoffer (my producer) frequently uses the young players from Malmo’s Opera Orchestra. So yes, I went to a lot of trouble to make a great-sounding record, but it wasn’t as expensive as you might imagine, and the result was a record I could never have produced working at home with a digital set-up. Do I think it paid off? Absolutely. I set out to make a great record that would reflect who I was as an artist at that moment, that would present my songs in the best possible way and that would stand the test of time. I’m pretty certain I accomplished that. I had no commercial goals when I made this record. I knew I’d probably wind up releasing it on my own label with no support, and considering I’ve done everything on my own, I’ve reached a lot of people. The music industry is imploding on itself right now. It’s like a slow-motion train wreck. People have stopped buying music. It’s not the time to be putting out independent records, and it’s certainly not the time to be judging your self-worth as an artist by how much money your music generates.
Luke Jackson (Popsicle)

4 Feb 2009

P, C & C become Party Crashers (VI): singles and tour

Per Gessle's latest album "Party Crasher," has gotten quite a few release dates confirmed from EMI offices around the world:
Indonesia - February; Japan - February 9; Ukraine - February 9; Czech Republic - March 2; Russia - March 2; Hungary – March 4; Spain - March 3; Poland - March 9; Canada - March 24; South Africa - March; Portugal - End of March; Germany - First week of April; Austria - First week of April; Switzerland - First week of April; Brazil - April; Belgium - April.
"Sing Along", the second single in Sweden from Per Gessle's "Party Crasher", is released in two colors today February 4.

The tracklist:
01. Sing Along (radio edit) (3:25)
02. Theme from 'Roberta Right' (3:05)
03. Sing Along (album version) (4:01)

A huge congratulations from LJdM to Per Gessle who turned big five-oh (50) on January 12! For celebrating it, Per and his band will have an European tour this spring:

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Thursday 16 April HELSINKI, Finland, Tavastia Club
Sunday 19 April OSLO, Norway, Rockefeller
Monday 20 April COPENHAGEN, Denmark, Vega
Wednesday 22 April WARSAW, Poland, Stodola
Thursday 23 April PRAGUE, Czech Republic, Luccerna Hall
Saturday 25 April HAMBURG, Germany, Grunspan
Monday 27 April COLOGNE, Germany, Gloria
Tuesday 28 April ZÜRICH, Switzerland, Kaufleuten
Wednesday 29 April MÜNCHEN, Germany, Muffathalle
Saturday 2 May GENT, Belgium, Handelsbeurs
Monday 4 May LONDON, United Kingdom, Sheperds Bush Empire
Wednesday 6 May AMSTERDAM, Holland, Melkweg
Saturday 9 May STOCKHOLM, Sweden, Cirkus
Sunday 10 May STOCKHOLM, Sweden, Cirkus - extra concert

The new remix of "Silly Really" has been released January 19. It's also supposed to be available in "all digital stores." The song is remixed by Dick Mixon and is very '80s influenced.

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The radio show Nordic Rox, hosted by Per Gessle and music journalist Sven Lindström on the American satellite radio service Sirius XM, airs its 100th episode in January. Sirius XM has been very satisfied with the show that first aired in April 2006. Nordic Rox airs weekly on Sunday nights at 8pm on The Spectrum on Sirius channel 18 and XM channel 45.

Rolf Nygren, one of Sweden's legendary record company bosses, passed away last January. The staff of LJdM offers our sympathy.

It was 20 years ago this month that Roxette made their debut on the U.S. pop charts. The duo’s “The Look” debuted on Billboard’s Hot 100 chart during the week of February 11, 1989. “The Look” was the highest debuting single of the week. Two months later, “The Look” would top the Hot 100 for one week. The single remained on the chart for 19 weeks.

And finally, The Daily Roxette has unfortunately been forced to close down their Discussions forum because of the usual trolls. We will miss it! TDR has always been our main source of information and the mirror of LJdM (although we know our modest "journal des mouches" will never get to be so useful).

If you want to know more about Helena Josefsson and about the producer of "Party Crasher", Christoffer Lundquist, you can read the recent interviews with them in roxette.ro. According to Feroe Islands' artist Brandur Enni's blog, Lundquist won't be bored this year at AGM Studios either.



Party Crasher Tour! I'm really looking forward to this trip around Europe. I consider it to be some kinda birthday present to myself to be able to play my favorites from The Gessle Box Of Songs In English. My ambition is to put together a guitar-based power-pop-set specially designed for the club scene! There will be loads of Roxette songs I haven't sung since the demo days but also favorites from the Plum, World According to… and of course Party Crasher. And why not a jolly cover, or two?

I'll play a power pop set with tons of guitars and a snappy snare with very little technology. We'll do a glorius mess of Son of a Plum (yay finally!!!), Rox (there are so many songs I've written that I've 'never' sung. I sang them on the demos and then the songs 'turned Marie's…' Would be sweet to try out my own versions… plus others that I've sung, for instance '7Twenty7' and'Nox' would be great to try out some gray Tuesday.) World According to'…? That's a bulls-eye for this band!! And of course 'Party Crash' - there are a few that I can't seem to stay away from.

My new band includes three former Roxette musicians; Clarence Öfwerman on keyboards, Pelle Alsing on drums and Christoffer Lundquist on guitar and vocals. Add to these Helena Josefsson on vocals and Magnus Börjesson on bass guitar and you get a sensational line-up. This band will sound f##king fab!! And Clarence is going to wear a Fez! How about that! The tour is too short I'd say, but Chris is a very busy man… I love the fact that we've been able to squeeze in a gig in cookin' Halmstad before the band vaporizes after the two gigs May 9 & 10 in Cirkus in Stockholm (other duties are in the can for my eminent musicians). Friday May 8 we'll be ready to roll the dice in Sporthallen in my hometown, with guitars almost-in-tune and smiles on our faces. Playing in Halmstad always makes my heart beat just a little bit faster.

One hundred shows of Nordic Rox! Can't believe it! We started out as rookies with this simple mission to bring Scandinavian pop and rock music to the U.S. It’s been a blast. We've had great response from listeners all over the country. The best thing, however, is to put these shows together. To dig out that special track we just know is happening and demands a bigger audience than just the tiny local radio station in the north of Sweden. That, to me, is what it's all about. A good songwriter gets inspired just like Zlatan or Picasso, a good journalist or a creative director. So it is not so stupid to have a heavy collection of discs if you want to solve the mystery of pop music. On the other hand, I think that it is easy to be inhibited by listening too much. In the same way as talent can put a spanner in the music composing. The simpler it is, always it’s the hardest.

I am a small town guy, so my dreams were quite modest and realistic. I never fit in at school, I was rescued by The Monkee‘s “I'm a believer “and John Lennon's pile to the Rubber Soul-cover. I have had the three T-s : Luck(tur-in Swedish), Timing, Talent. It will be easy to look at someone’s life before and after he had children. So it is for me too. Values and priorities were very different before 1997, when our son was born. Career-wise, everything has followed some kind of strange logic. Gyllene Tider rises and falls, giving Roxette the ability to start. When Roxette had calmed down then came the challenge to do solo stuff like Mazarin, Son of a Plumber and now Party Crasher. I have not thought very much of what happened; things have fallen to their place by themselves. Life's highlights: The distorted guitar intro of the Beatles “Dizzy miss Lizzy”. That I could find my wife. My son's birth. Roxette’s America-number ones. Gyllene Tider -Ullevi-gig. Breakfast this morning.

It was Roffe Nygren who tied Gyllene Tider to EMI 1979. Along the way he's been a great supporter and inspiration to our common Roxette successes. A journey we all thought impossible. He was a "hitpicker" with perfect aim and always a creative idea bouncer. He was also a very dear friend of mine and my family's. We miss him enormously.
Per Gessle




I still play with Brainpool but we have difficulties finding time to work as a band because everybody does their own thing to support themselves. But I'm sure sooner or later we'll make more music together because we love it and we enjoy doing this together so much. David and Jens in Brainpool are actually my favorite music-making partners, they are like brothers to me. I've learnt so much by working with them, I wouldn't be half the musician I am without them.

I have worked like crazy for many many years now. And it’s been great but I do feel that I wouldn't mind a little more time off with the kids and so on. It's difficult though. To do what I do and do it with the level of ambition I have you need to make some money to keep the studio running. With the music business in free fall and everyone file sharing and not wanting to pay for music it gets increasingly difficult to do what I do. Budgets for an album are 1/5 now compared to when I started, because of declining sales due to file sharing to a large extent. And of course it's the small artists, bands and labels that are most sensitive to this, a fact that is NEVER heard in the ongoing debate about this subject. You often get the impression that file sharing only hurts the already stinking rich when in fact it hurts the poorest the most. The big guys suffer badly but survive; the small ones just cease to exist because they had no economical margin. So I'm eagerly hoping for a reasonable solution that can make music, art and films available to the world as cheaply as possible and at the same time collect some money for all the creative people who made the music, films and art. So they can make some more and spread to the people who obviously enjoy their work. But so far it doesn't look all that great to be honest.
Chris Lundquist (Junk Musik)
Christoffer Lundquist - AGM Studios


In the Party Crasher Tour, there will be 25 songs, plus 1 bonus. The songs will include Roxette tracks, but these will be sung only by Per (I won't sing Marie's parts). I do not know Marie Fredriksson very well but we meet sometimes and as a big fan of her I always feel a bit shy when she is around. But I talk to her a little every time our paths cross. Per had a 50 year anniversary party and there we met most recently. Her song "Sparvöga" is the most beautiful popsong in swedish that i have ever heard. I like to sing it to my child sometimes.
Helena Josefsson (Sandy Mouche)



I went to Copenhagen and came back to Stockholm a week ago…pretty nice. There’s something about January, every thing’s fresh and I find a whole lot of positive energy around people this time of the year, even though it’s very dark outside. I guess everybody has some plan or idea for 2009, and so do I. The latest news regarding my album, is that I’m going to record it together with a famous Swedish producer called Christoffer Lundquist in March 2009. His studio is called Aerosol Grey Machine Studios, and it’s situated out in the countryside of southern Sweden, just outside Lund. You can take a look at his home page www.agmsweden.com. I have a really good feeling about this, and I can’t wait to record my songs on that beautiful farm.

2 Jul 2008

The DollyCamp (VII): a righteous boy's cottage

Last June 2008, Dolly Parton began her European Tour in Sweden (Stockholm, 13-06-2008; Malmö, 14-06-2008). According to Skanskan.se, Jessica Nettelbladt recorded the last images for her documentary "Dollykollot", about 5 enthusiastic female musicians.


Gudrun Hauksdottir, the producer of Shemusic and the woman behind the Debaser club in Malmö, said: "Dolly Parton is an example to all us. She has dared to believe in herself and go her own way. Dolly is a strong business woman who is merely doing what all of us aspire. She has produced 300 songs. My friend Nina Persson (The Cardigans) gave me an American biography of Dolly Parton in 2004 as a present and the idea of a DollyCamp was born. We decided to start together a band and arrange concerts with Dolly Parton's music. It would be our love tribute to this country star. In addition to Nina and me, Robyn and three talented musicians from Skåne (Cecilia Nordlund, Lotta Wenglén and Helena Josefsson) joint us."

Their first gig was held in Malmö in 2004 and became a real success. They were invited to play at Pride festival in Stockholm in 2005, the World Athletics Championships in Gothenburg in 2006 and afterparty in Dolly Parton's concert in Stockholm in 2007. For four years, these musicians have become close friends.

According to Lotta Wenglén: "DollyKollot is a fun way to meet people and do something together. It is like a family where Gudrun is everybody's mother". Helena Josefsson said: "Dolly's provocative look and style is challenging and let the women learn that it is OK to be who you want to be. You can still succeed as an artist."

The director, Jessica Nettelbladt, explained her film: "I want to show that one can succeed or not, but the important thing is the journey and keep on believing in your dream. Naturally, I want my film to be shown in cinemas and I am fighting for it. The alternative is SVT Television. The idea is that the film should be ready next year."

Helena Josefsson writes today in her blog a post about the last meeting of the "DollyKollot Band". Read it.


Jessica Nettelbladt who makes a documentary about female musicians of which I am one, was at AGM Studio in Christoffer Lundquist's daughter party and together with her, a cake tasted even better!
Two days later, we met up at a cottage 1 hour away from the studio towards the sea, and I left Christoffer alone in the studio. He needed to rest so the timing was good. Here in this cottage, we made the last meeting all five of us who are in the documentary. We had a great time, talking about our dreams and what had happened since last time, and we had salmon from the grill! Yummie :o) The other girls slept over in the cottage, while I went back to the studio to keep working. Here you can see how cosy it was:

It is Nina Persson, Lotta Wenglén, Cecilia Nordlund and arranger Gudrun Hauksdottir plus me in the movie. It will be edited this fall and then I hope you will soon be able to see the result! The cottage belongs to Magnus Svenningsson, bassplayer of the Cardigans, and his girlfriend and it was very beautiful! And here you see the filmteam:

The documentary has been a lot of fun to be part in, and I am sure I have made new friends for life! Both with Jessica, and the other musicians!!

Helena Josefsson (Sandy Mouche)

30 May 2008

Arash feat. Helena Josefsson - Pure love

Donya, the second album of Arash, is released today. According to Bianca Karimi, DE, it includes a song with Helena Josefsson, Pure Love.




Pure love was recorded as a demo for Arash's debut album, released in 2005. Furthermore, Helena also featured in the song Arash, a single. Pure love was not included there and it has been released three years later.


Hi!! Yes, it is me singing! It was a demo I recorded many years ago. And to my surprise, it is now used on this song. I was not aware until I myself saw it on youtube...!
Helena Josefsson (Sandy Mouche)

5 Apr 2008

2008 World According to P, C & C (V): TWATG 2008 snippets, Florian Horwath and The Mothers of Scandinavia

Today we have some snippets of Gessle's 2008 world and a new album.

Florian Horwath's new album, Sleepyhead,
will be in stores on April 18th! This time, Mom & Dad (Jens Jansson & David Birde from Brainpool) won't be his band in the forthcoming tour. Florian will play with "The Mothers of Scandinavia":
  • Florian Horwath - vocals
  • Jens Jansson ("Mom") - drums
  • Magnus Sveningsson ("Righteous Boy") - bass
  • Gerald Votava - guitar
  • Kyrre Kvam - piano
The first single, Baby You Got Me Wrong with Nina Persson (The Cardigans, A camp), released on March 28, has been well reviewed. You can listen to it in Florian Horwath Myspace. The brand new video is now online in the "Video" Section of Florian Horwath Website.

2008 Florian Horwath - Sleepyhead

These are the dates of the German-Austrian Tour:

  • 06.04.2008 Berlin / Roter Salon with Simone White
  • 08.04.2008 Berlin / Lido - Release-Concert "Sleepyhead" (cancelled!!)
  • 09.04.2008 Köln / Gebäude 9 with GET WELL SOON
  • 10.04.2008 Dortmund / FZW with GET WELL SOON
  • 29.05.2008 Hall In Tirol / Kulturlabor Stromboli (Austria)
  • 30.05.2008 Klagenfurt / Volkshaus (Austria)
  • 31.05.2008 Kleinreiflingen / Seewiesenfest (Austria)
  • 02.06.2008 Wien / WUK (Austria)



Snippets of some of the new songs are now available on gessle.com.
  • 2008 Digital Remastered: Stupid, Reporter, T-T-T-Take it, There is my baby, Always breaking my heart, Blue umbrella
  • Demos: Every day outside my window, Detective Jones, Beautiful things terrible things, Elvis in Deutschland, B-Any-1-U-Wanna-B.
The remastered and extended version of "The World According to Gessle" will be released May 9 in Germany and May 14 in Sweden.
Thomas Evensson (TDR)

28 Mar 2008

2008 World According to P, C & C (IV): Florian Horwath, You Got Me Wrong - PG finds another demo - Will HJ be in the Roxette band in the future?

2008.03 Florian Horwath 1

Per Gessle is working in 2008 version of TWATG. Meanwhile, Chris Lundquist and "the junkies" are not bored.

Florian Horwath, the "German Cat Stevens" (although he is not German and he is no cat), began recording his new album in November 2006 in the AGM studio with a great band.

  • Florian Horwath - vocals
  • Jens Jansson ("Mom") - drums
  • David Birde ("Dad") - guitar
  • Magnus Sveningsson ("Righteous Boy") - bass
  • Peter von Poehl - guitar
  • Christoffer Lundquist ("Chris") - ? ... what's needed
Finally, the record is ready. The track Baby You Got Me Wrong with Nina Persson (The Cardigans, A camp) will be digitally released on March 28. You can listen to it in Florian Horwath Myspace. The brand new video is now online in the "Video" Section of Florian Horwath Website. It was shot during the recording session of the duet in Sweden in January.




Jeezus - no order in the bedroom! This morning I found a very early demo of "Wish you the best" called "Drum", which we just have to use on new The world according to Gessle-release!!! So… WYTB is left out in the cold… the album release is set for early May. That's the most recent whisper in the EMI corridors…

You should know it by now but… movies are in my blood! There's a brand new track of mine included in the brand new excellent (trust me, I've seen it!!!) Swedish movie LÅT DEN RÄTTE KOMMA IN [Let Me In], based on the book of the same name. Opening in the autumn but it has already won 2 heavy awards. My song is called KVAR I MIN BIL [Left in My Car] and is featured 3 times in the movie (including a short whistling version…). It was recorded during the En händig man-sessions and is a somewhat bluesy ditty with a great snappy guitar-hook. And it's under 3 minutes!
Per Gessle




One of the most popular topics in The Daily Roxette this week has this title: Will Helena Joseffsson be in the Roxette band in the future? You can read it here.

Emil from Bulgaria thinks that "her way of singing is not good for powerful Roxette songs." Mariana “Txiqui” Gumuzio, from Spain, "don’t think Helena’s voice fits Roxette songs at all. I can’t imagine her voice beside Maries voice. I guess that if they both sing together we wouldn’t be able to listen to Helena’s voice clearly 'cos Marie’s voice is so much stronger and poweful that wouldn’t let Helenas voice come out".

According to Jorge Ojeda (a fan from Argentina), "We‘re disscussing if Helena is the best person to make the backing vocals in the Roxette band in the future!! (maybe for a little tour?) Nobody said that she´s going to replace Marie in Roxette! Maybe they should call to Vicky Benckert again, in my opinion, she was the best in backing vacals for The Roxette band... ever".

Auryte Cekuolyte, from Lithuania, "would really like to see Vicky back with Roxette! She’s great :) I agree with those who said that Helena’s voice doesn’t fit Roxette songs. She is really good in singing all those “nanana’s” and hmm hmm hmm’s” in the background. Roxette songs demand more power :) And I doubt that Marie’s and Helena’s voices would make a good match."

Regn ask himself: "Why not? It’s a fact that Rox songs MUST change to fit Marie’s nowdays voice, the labor of a backing vocal is Help and Helena did well on Gessle’s solo proyect... Anyway I think the best backing vocals on Roxette were made by Mia Lindgren on LS! Tour."

The moderator Judith Seuma thinks that "Helena should concentrate in her solo stuff".

LJdM also found some very irritating comments there. Some people simply say: "Hopefully not". Keti from Georgia says that "Helena can sing alone, unless she would always stand under Maries shadow". Taschi considers that "Helena does not deserve to sing backing vocals or anything else for Roxette. To be honest, I do not like her very much. I also do not know what’s Per liking at her at all... Possibly he just wanted a complete opposite of Marie for his albums. She is simply the worst I ever heard... But what shall we discuss here, Per rules and he decides... Please call Vicky again!!!!". FGOTM wants "no Helena in Roxette!!!Rox songs would sound ridiculous with her. I think Gessle is clever enough not to allow this. Save her voice for Gessle’s solo projects, though what he has found in her voice is a mystery to me. Glad I’m not the only one. Bringing back Vicki would be great idea indeed, she is simply superb."

7-Twenty-7 asks: "Has anybody noticed Vicki’s voice? She did some backing vocals for songs included on ’Joyride’ and ’Tourism’, but I never managed to hear her voice. Even in the live recordings, she’s not noticeable. I don’t really miss her... Some Roxette songs (like ’One Wish’ or ’Make Me Head Go Pop’) sound ridiculous, even if Helena was not involved. No need to blame her, Roxette can be ridiculous by themselves when they want, with no ’help’ from the outside."

Jiri Vlcek (aka abysmo, from Czech Republic) says: "Helena is completely different singer than Marie, every attemps to arrange her into Roxette as a singer must failed because everybody will compare her with Marie. Roxette is Per’ s music and Marie’ s voice. I’ m sure that Per have the same attitude. I like Helena’ s sweet voice, but not as a part of Roxette music. This will be same like replacing Per with Mikael. As I said, I like Helena and Mikael Bolyos, but H. on SOAP and Dynamo and M. on A Familly Affair or Marie’ s solo albums."

We can also read the comments by some active Helena Josefsson's fans (Alberto, Rachel and Ángela)

LJdM

Comments by fans:

IMHO, Roxette are Per + Marie. I don’t need Helena’s voice in Roxette (although I love it). I am a big fan of Helena and I like her work in her solo album (Dynamo), with her band Sandy Mouche and with Son of a Plumber (SOAP). But I think Gessle is not thinking about a “Roxette project” that could include Helena. SOAP is a very different project.

Btw, Helena is recording her second solo album and a new album of Sandy Mouche: obviously she is not thinking about being the substitute of Marie at all. Why should we write about this silly idea?

Everytime Helena is brought into conversation in TDR or R2R forums, some people speak about an unreal war (“Marie versus Helena” or “Helena versus Marie”??) using disproportionate words. Yes, I am too susceptible. Helena has worked with Magnus Sveningsson (Righteous Boy) and nobody thinks she is going to replace Nina Persson in The Cardigans. I will try to answer the question.

Helena as backgroundsinger of Roxette? She has worked with The Ark, Righteous Boy, Gyllene Tider, Andreas Johnson, Doug Wyatt, Justin Winokur, Junior Senior, Swan Lee ... Helena’s voice can fit different bands and very different styles. But she is now concentrated in her solo stuff, in Sandy Mouche and in Son of a Plumber.

And although I am a fan of Helena, I agree: Marie and Vicki Benckert could make a better match into a “Rox Pop Hit” but Marie and Helena’s voice would match better into a “Rox Ballad Hit”. By the way, you’d have to find Vicki (where is she?)





I’d love it if she did wind up in the touring band, it’d be a test of people’s so-called devotion. I mean, at the end of the day, it’s not her you’d be paying to see, is it? I don’t know if she’d ruin Rox songs by backing. There is only one way of finding out though...

Rachel (aka whateveriam), from Norfolk, U.K.
The_cute_suit - La conasse


Wooooowo!!!! The Helena anti-fanclub is back again!!!!! Any excuse is good for some people to atack her. And no, I don’t see Helena doing back vocals for Roxette or for any other band on tour. I agree 100% with Judith. She should concentrate in her solo career or in Sandy Mouche and give more good music for those who can appreciate it. For those who cannot.... you’ll miss it!!! :p

P.S. Lantartida, take it easy man, you know this is quite useless :)

27 Feb 2008

The DollyCamp (VI): En afton med Blondie


Debaser, Malmö 2007/02/27 - www.debaser.nu
En afton med: Blondie

Debaser Malmö has payed homage to Blondie.

Blondie is an American rock band that first gained fame in the late 1970s, and who have so far sold over 140 million records. The band was a pioneer in the early American punk rock and New Wave scenes. Its first two albums contained strong elements of these genres, and although successful in Australia and the United Kingdom, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles and was noted for its eclectic mix of musical styles incorporating elements of disco, pop and reggae, while retaining a basic style as a New Wave band. Lead singer Deborah Harry achieved a level of celebrity that eclipsed other band members, leading to tension within the group. Following a poorly received album, and with core member Chris Stein diagnosed with a potentially fatal disease, the group disbanded in 1982. As members pursued other projects, Blondie's reputation grew over the following decade and the group reformed in 1997, achieving renewed success and a number one single in the United Kingdom with "Maria" in 1999. The group toured and performed throughout the world over the following years, and was inducted into both the Rock and Roll Hall of Fame and the RockWalk of Fame in 2006. Blondie has sold 40 million records worldwide since their explosion onto the music scene in the 1970s

Cecilia Nordlund, Toril Lindqvist (Alice In Videoland), Dennis Lyxzén (The International Noise Conspiracy), Markus Krunegård (Laakso) and Maja Ivarsson (The Sounds) have taken part in the concert. The band also features some famous musicians: Magnus Sveningsson (Righteous Boy, The Cardigans) on bass, Nathan Larson on guitar, Patrik Bartosch (Eggstone) on keyboards, Jens Andersson (The Ark), and Jens Jansson (Brainpool, A Camp) on drums.

The band also played the song "One Way or Another" with two guests: Moto Boy and Helena Josefsson.

21 Jan 2008

2008 World According to P, C & C (I): new recordings at AGM, Luke Jackson, Brainpool and Grammys

2008 is here and Per Gessle, Clarence Öfwerman and Christoffer Lundquist (P, C & C) keep working. Today Brainpool's space includes a blog about the uncertain future of the band but it is said that P, C & C are going to begin the recordings of Gessle's new album in English at AGM Studios this January. By the way, no Grammy for Per this year.

Meanwhile, you can read and watch the experience of another great musician in Aerosol Grey Machine Studios, Luke Jackson.

According to one of their moderators, "The nice Kai", from Berlin, right in time for Per's birthday on the 12th January, Son of a Plumber's Official forum has got some changes and a shiny new look. The whole forum structure has been re-organized, new forums were added. You can send Per Gessle your personal wishes for his 49th birthday there. He wants us to have fun and fill the forum with life. I will do it for sure.

SOAP forum


Per Gessle Birthday  2008 by gessloholic




We're not completely gone, but recording is not happening right now. There is work being done, children being looked after, and producing in progress... When we find the time to get together we will make an album for sure. We have new songs, but they're waiting to be made real. All we need is a little patience

Love
Brainpool




Dear friends,

It's 2008 already and life has been pretty hectic since I got back from finishing up the record in Sweden in October, hence the lateness of this report. Before I start, if this is your first time visiting my blog, I suggest you take a quick look at my first studio report from May 2007 which will fill you in on the background of these sessions.

The week I spent at the studio in October was the most fantastic experience. I flew to London on the red-eye with just enough time to shower and change at my brother's flat and I was on my way to the airport again, picking up Robert Kirby on the way (who assured me that he had ALMOST finished writing all the string arrangements!). We flew to Copenhagen and picked up a rental car for the splendid drive across the icy Baltic Sea to Southern Sweden. We made a quick pit-stop in Malmö for provisions at my favourite destination, the delicatessen Mollans Ost in Mollevangen Square where, quite by chance, the staff were playing Nick Drake's "Five Leaves Left". Robert jokingly accused me of having set this up! Suffice to say we got a 20% discount and the guys at Mollans Ost got their CD signed.


We got to the studio in time for supper and Christoffer's wife Ylva had prepared one of her trademark feasts. We chatted for hours, listening to Robert's fascinating stories of yesteryear, like the one about the rock opera he was commissioned to write in the late 60's for which a little-known band called Genesis were hired to record the demo reel, but they didn't like the singer's voice so they had him just play flute and got a girl in to sing! The day ended with Robert and I sitting at the kitchen table in the little cottage where the studio's guests stay, Robert putting the finishing touches to his arrangements whilst I whipped up a big bowl of trifle as part of the smorgasbord I was planning for the visiting musicians the next day.


October 2nd 2007 is a day I will remember for the rest of my life. In many ways it represented the culmination of a lifetime spent playing and writing music, and it was certainly the crowning moment of the production of this album. We arrived at the studio early to find Christoffer setting up the live room with microphones, music stands, chairs and headphone outlets for all the players. Shortly thereafter a minibus arrived from Malmö with our double quartet...nine young players from Malmö's Opera Orchestra: Charlotta, Daniel, Urban, Johanna, Tomas, Hanna, Martin, Emil and Andreas. Introductions out of the way and we were soon assembled in the live room, Robert introducing the players to 'This Life', the first song they were to play on.


Up until this point I had not heard a single note Robert had written for these songs, so it was a little overwhelming when he first raised his conducting baton in the air and the orchestra struck up all at once. Since it was a dry run-through without the backing track, I had trouble figuring out which parts of the song went with what Robert had written. Indeed, even when they were playing along to the backing track, every last headphone socket in the studio was being used up, so I was still unable to discern exactly what was going on...I recognized obvious phrases that matched some parts of the song, but then the string arrangement would take a turn and I'd be lost again! Why wasn't I in the mixing room with Christoffer, listening to the strings over the backing track? Because I was in live room filming the players, and this is how it sounded...


I'll start you off with just the strings on their own so you can experience it as I first did, then I'll fade in the finished mix half way through so you can hear what they're actually playing over:




For the more discerning viewers out there, you can download the far superior 43MB Mpeg-4 file for easy playpack on your quicktime player by clicking here.

Christoffer's careful planning made the technical aspects of the recording seem invisible, leaving Robert and the players free to concentrate on their performance. I felt like a bit of a hanger-on for much of the day, being the only person who wasn't actually playing or engineering anything...I had finished recording all my parts back in May. I just tried to keep out of everyone's way, and it was a good thing I had the camera to keep me busy, not to mention the lunch I was busy preparing for 12 people.


After lunch it was back into the studio to record one of the more fragile songs on the record, 'A Little Voice'. This piece had been around for five or six years as a short instrumental. I didn't know if I would even put it on record, but after Robert agreed to write some string arrangements I felt that this little piece might become something special, so I fleshed it out and wrote some lyrics for it the week before the May sessions, and sure enough Robert wound up writing a truly magical orchestration for the song.


In this clip you'll hear the whole song, and part way through we'll leave the string session and I'll show you a clip of Christoffer trying out a dulcitone part the following day with a little help from the studio kitten. We actually wound up leaving the dulcitone part off the finished mix so this is the only place you'll ever hear it!






Again, feel free to download the 7 MB Mpeg-4 file here.


I have footage of all the other songs we recorded strings for, but I think these two will give you enough of an idea of the process. I'll just include one last clip, this time from the mixing stage of the album. I'm a big fan of those 'Classic Album' TV shows you sometimes see on VH-1 where they'll look at the making of albums like Sgt. Pepper, A Night At The Opera or Dark Side Of The Moon. I especially like it when the artist or the album's engineer sits at the mixing desk and brings up the faders one at a time so you hear one of your favourite songs come together bit by bit. So this next clip is a rip-off of that! I caught Christoffer just as he had loaded up the tape to begin mixing the song 'Half A World Away' and asked him to talk me through the tracks a little...




You can download the 13MB Mpeg-4 file here if you wish.


I'm really glad I had the video camera with me on this trip so that I could keep a record of the process and share some of this experience with you. I wish I'd had the camera on my two previous trips to Sweden, but I spent most of those either singing or playing guitar, so as great as it would have been to show you the sessions with Magnus and Jens (on bass and drums), it just wouldn't have been practical.


Making this record has really been the high point of my life as a musician and I only hope I get the chance to do it all again in a couple of years. Stay tuned for my release plans and send me an email if you'd like to get on my mailing list.

Best wishes and a happy new year to everyone,

Luke Jackson (Popsicle)



Fulfilling my duty as “the Swedish one” of the site, I bring you some (i.e. the ones that I somewhat care about) of the winners at last night’s Swedish Grammy awards. Fakir was the biggest winner of the show. Sahara Hotnights were nominated for three awards, but walked away empty-handed. Booo!

2008.01 Salem Al Fakir

  • Best new act, best male act, best composer and best producer: Salem Al Fakir.
  • Best live act: The Hives
  • Best dance/hiphop/soul act: Adam Tensta
  • Best group and best album: Kent.
  • Best female act and best songwriter: Säkert! (a.k.a. Annika Norlin, from Hello Saferide)




Is Roxette over? No one’s stopping you from dreaming, but really I’m getting sick of these pointless threads, because everyone reaches the same stalemate - no new album is forthcoming, and by the looks of things, will ever be. We can't do anything but sit back and enjoy what they've given us.

If it's over, it's over. The world will not end, the universe will not implode because they are not releasing albums, songs, whatever as Roxette. Anything new they release, from now on, will be a nice surprise (unless it's another MMHGP, in which case there'll be trouble). I'm not that much of a hopeless dreamer that I wish for another say, 5 new albums and a world tour to back each one up. That is almost definitely not going to happen. And I'm fine with that, y'know? There's tens, if not hundreds of bands and artists I've never seen, and of those there are some I know I will probably never see. If Roxette is one of them, oh well. No biggie.

So, if it is over, mourn their loss and then move on to a life without them making new music. So what if you never got to see them live or managed to get a new album out of them and held it in your sweaty little paw after running to the shop to get it on the first day? They've done a lot of good, great stuff, more than a lot of certain other rubbish bands who shall remain nameless (*cough* Tokio Hotel! *cough*). At the end of the day, just step back and appreciate what you have instead of complaining about what you don't.