An unofficial box of news about the singer / songwriter Helena Josefsson, her work with Sandy Mouche and Per Gessle's Solo Band ... and other related projects
(Between 1997 and 2010) - by a fan.
If you need further information, go to the official websites
2009 has been a good year in many ways. We got a new album by P, C & C ("Party Crasher"), with Helena Josefsson, the spring tour with Martinique and Helena's new single in Swedish. However we are still waiting for Helena's new album.
Le Journal des Mouches will be back in January 2010. We just want to wish you a Merry Christmas and a Happy New Year. Enjoy these days with your family and friends!
Toodiloo all Roxers! 2009 turned out to be a killer year after all! My small but heartwarming Party Crasher Tour around Europe in the spring was followed by the huge and glorious Rox comeback at the Night of the Proms. Thanks everyone for your support (appreciated!) and for those loud voices in the front row (interesting!).
Also, we started recording a new Rox-album on the road. So far so good but there are, of course, lots more to be done. And for next year we have even more mighty plans. Will let you know what’s goin’ on in Roxville before long. But for now we wish y’all a great xmas och a extraordinarily swell new year. See ya around the corner. Cheers.
Last December 10th, 2009, the director Jessica Nettelbladt was in FilmCentrum Syd, Malmö, showing sequences from her documentary "Dollykollot" (The DollyCamp), which is currently being cut, and talked about recording this film in Malmö, Gothenburg, Stockholm, Berlin, New York, Nashville, Dollywood and Iceland. The plot of this documentary is simple: four singers and a music producer (Nina Persson, Cecilia Nordlund, Lotta Wenglén, Helena Josefsson, and Gudrun Hauksdottir), met through a tribute to Dolly Parton and become close friends.
Picture by Sofia Josefsson
Debaser Malmö payed homage to Michael Jackson on December 25th, 2009.
Picture by Johan Bävman (sydsvenskan.se)
Fre 25 Dec Inne: 19-03
135 kr + förköpsavgift. Biljetter finns hos Tickster, Skivlagret och hos Folk och Rock.
Forrest & Crispian, Paulina, Asha Ali, Vivian Buczek, Jonas Drejholt and Helena Josefsson took part in the concert. It also features the usual Aftonorkestern, usually with Magnus Sveningsson (Righteous Boy, The Cardigans) on bass, Nathan Larson on guitar and Patrik Bartosch (Eggstone) on keyboards. There is also a show "En afton med Michael Jackson" in Debaser Medis in Stockholm booked for tomorrow December 26th, but Helena will not play there.
Do you want some reviews from the concert? According to Håkan Engström, from sydsvenskan.se, "fast nothing could beat Helena Josefsson tonight". Emma Sonesson (aka BiLLY), administrator of the HJ Fanclub Portal, wrote: "Yesterday was a nice concert :D but I couldn't take a pic! :(".
"En afton med ..." is a project by Debaser Malmö, SVT and Monbio. Visit: www.enafton.com. "En afton med Michael Jackson" (A night with M.J.) is the last show of this project after three years of homages, including nights with Bruce Springsteen, David Bowie or Depeche Mode. Artists like Nina Persson, Tingsek or Titiyo have been doing really good covers of their idols' hits. Helena Josefsson was also in "En afton med Dusty Springfield" (December 2007) and in "En afton med Blondie" (February 2008). Some of the shows were recorded for the documentary "The DollyCamp".
I was in love with Michael Jackson as a young teenager and still love his music and dancing. It will be fun! I have seen Michael Jackson twice, the Dangerous tour and the History tour. And I was so in love with him as a girl, making drawings of him, sending him letters that I wrote in gold :o) I will enjoy singing his music. I think he was amazing, cause he had the voice, the composing talent, the amazing rhythm-feel not to mention his moves!
It is exciting to sing his songs and I will try to do it properly even though it can never be as good as he did it. I will sing Beat it and Ain´t no sunshine with my own Swedish lyrics on them. I was thinking of Dirty Diana at first but someone else got it before me :o) I think my favourite songs are Human Nature, Beat it and Dirty Diana.
I will not play in Debaser Medis, and I haven´t been asked to. It´s good ´cause I want to be home to spend Christmas with my little family :o) I hope you will have a wonderful christmas! Helena!
Updated: (1) 2009.12.09: LJdM published this gig the day before helenajosefsson.com did it. Helena confirmed it and answered some of our questions in her guestbook. (2) 2010.01.11: Videos added from Youtube, uploaded by CinnamonWeaver and Fred200008. (3) 2010.01.28: I added more pictures by Sofia Josefsson.
Night of the Proms finished yesterday night in Dortmund. It is time to review the tour and who better than the musicians that took part in it.
Christoffer Lundquist and Clarence Öfwerman were interviewed by Judith Seuma and Kirsten Ohlwein, from roxette.blog, last week. In their great interviews, they spoke about NOTP and Roxette's plans for 2010. We also add the words of Per Gessle to The Daily Roxette.
If I had to choose between the studio or the stage, I’d stay in the studio. But I enjoy playing on stage inmensely, it’s so much fun. And I think it’s the best education for a musician, I think if you want to be good, you have to play for an audience, it teaches you a lot. Music is about communication after all, and only on stage you have this direct connection, you do something and you feel if you get something back or not immediately. Of course, this doesn’t happen with records. So…, I want to have it all!
So far I have it all. But of course, there’s the other side of touring, the travelling, being away from your family. To start with, it’s great, because we have lots of fun, we like being together. Short tours are great, like last Spring, that was great all the way through. This one is maybe a bit too long, we are away from our families for nine weeks, towards the end it feels a bit sad. But of course, it’s great playing live and spending time with the other guys in the band.
In this tour there is less room than ever, mostly because of the orchestra. But for example, we planned last Spring’s tour in a way so that we could have more room for this. We consciously tried to do that, let lose a bit, take a bit more chances than normal and hope for the best. What happens is, when you succeed on that, you become stronger and want to do that more often. The communication with the audience then reaches a peak, everybody is in the same moment. Of course, that’s a risk, and sometimes it’s not that great, but I think it’s good to take those chances, that risk. No risk, no fun.
Of course, you can’t do that during this tour. Well, we added the “Hey Jude” part during this NOTP tour to “The Look”. Marie just came up with it. She just started singing “Hey Jude” so we were all “what?”. It came out of nowhere, and it actually sounds great, so we kept it. She is actually like that, she’s always done such things, she has so much music in her, it’s so natural for her to improvise. I think she always did that live on stage, changing melodies. Of course, if you are that secure with that way of singing, you can get away with mistakes and such. We are all “Wow! What happened?”. Marie Fredriksson is wonderful. She is my idol, I think she is such a hero. After all she’s been through, she still can do this in front of so many people, and she is SO strong, she’s got so much inner strength. I bow my head to her. It’s so much fun when she is happy on stage, we all feel that so much. It was bad when she got the throat thing, that was hard. But still, she simply went for it, other artists would have cancelled the show, I mean, she couldn’t speak at all, had no voice. But she was like “no no, up on stage, let’s do it”. I think she has a new sort of dimension in her voice, maybe because of what she has gone through, what comes out is your collected experiences as human being, and she has had more experiences than most of us, so when I hear her singing now, I think it’s even better than before. There is something new there. Some days ago, I don’t remember which concert, I think I heard the best version of “It must have been love” ever, it was like a new song almost, so fragile, so full of feeling. It meant so much in a way. And when she sings the new songs Per wrote, we are all like “wow!”, it’s so fun to hear the two voices singing new songs together, it’s wonderful.
Cologne was a special night in Party Crasher Tour. But unfortunately the recording from the gig in Hamburg went wrong. So we couldn’t have “Hello Stuttgart” on the record. I would have loved that . The “finally Stuttgart” sign is in the tour bus now. It must be weird for fans from Stuttgart who don’t know it and ask “why is Stuttgart so funny?”. But Per recovered great. He said “it’s great to be here in Stuttgart..and Hamburg, and Cologne.” So he really saved himself in the last minute. But he will hear that for the rest of his life.
Our adventures on YouTube are getting worse and worse I think! Haha! When you tour, a certain silliness enters your brain because there is really nothing else to do. So your mind goes a bit empty, that’s what happens.
The break between the first song and our second part is very long, so we sit there for hours. I think Per counted the hours and realized we are going to sit backstage a total of five full days. It’s so difficult to do anything, you try to read books, but you can’t, you can listen to music, that’s the only thing. It’s the same in hotel rooms, you can’t do anything there, it’s so difficult to concentrate and get going. It’s like… BLANK. And then silliness takes over.
The silly videos are actually only boring, those don’t make it. But that’s Per’s decision, he does that on his own. He also goes around with the camera all the time, so always when he comes in the room it’s like “Hellooooo!” holding the camera, he never stops. He’s got this energy, I don’t know where he gets it from, it’s like an infinite source of positive energy, he’s amazing in that way. I’ve never met anybody who is like that actually. He never gets tired.
NOTP is different from my taste of music and style of performing, but getting to know it all and being part of it made me realize how incredibly well everything is organized and how difficult it is to do something like this. And they have done this for such a long time, and people keep coming. They are very nice and really good at what they do. So I appreciate it a lot.
The audience in Antwerp was great, everybody was dancing, ages ranged between 5 and 80, everybody was totally into it, like a huge family party every night. The audience is very different in Germany, it’s a bit older, but at the same time Roxette has more support here, so for us that’s great.
The artists slowly get to know each other. Our dressing rooms are next to each other, and we also eat together. They are all very nice. But maybe the choice of artists was a bit better in Belgium and Holland. Toots was great, I liked him a lot.
In the German part I am sort of getting into the Alan Parsons project part a bit more. I haven’t listened to it before. The second song is really nice (sings a part of Silence and I). The instrumental section in the middle is nice. Maybe that would be my favorite. And before it was Toots Thielemans. Yes, maybe you shouldn’t listen to him too many times. I think it was a bit long maybe. The film music medley was going on and going on. The Bluesette was great. Jazz is not my thing. I don’t know much about Jazz, but he is a melodic jazz player. He is 87 and plays something new every night. He has had a couple of strokes as well and he comes on stage, improvising, in front of 10.000 people. And he has some Swedish connection. In the 60’s he was working a lot with classic Swedish jazz singer Monica Zetterlund, who is fantastic, and also a pair of Swedish comedians, who everybody loves and knows, Hasse och Tage. He wrote music for their films and they made lyrics in Swedish for them. His jazz tunes are very well known in Sweden. He speaks Swedish. He comed and says “hej, hur mår du?” (laughs). And he was in the bar and was singing the theme from Swedish children’s movies that he made the music for. He was fantastic.
Clarence Öfwerman and I wrote the arrangements this summer. And they have an arranger and he added some things here and there. But we wrote the main part. And also they added things for “The Look” and “Joyride”, we wrote less for these and they said that we have to keep people in the orchestra happy, they have to play something, so we added a bit of stuff that maybe we wouldn’t have written to keep people play. But it’s still stuff that we like. That was fun. We actually wrote arrangements for the songs we were supposed to play in 2002, too. They were never used in the end. So there were arrangements for “Crash!Boom!Bang!” and “Anyone”. They were put together to one song for the huge orchestra. I hope we can use that some day. It’s a great song. It’s one of the best songs on “Have a nice day.”
We performed “Junk” with Brainpool and a symphony orchestra once. That was like the concert of my life. I never had so much fun. When we started the project I thought like “oh, this is going to be scary, it’s not going to work” and I remember maybe two or three songs into it it just felt like “yes, this is right, this is how it should be”. But that’s because it is a rock opera. But touring with Roxette or maybe a whole Per Gessle concert with an orchestra doesn’t really make sense. In this context it’s good, but otherwise not. The whole idea “Classic meets Pop” is very rarely successful, I think. A lot of bands have done it, Metallica (S&M, 1999) etc etc. And it feels like something bands do when they get bored. “We have to develop. Let’s get an orchestra”. For me, it’s not my style, but it’s very well done. They use it in a good way, I think, but I prefer Metallica without the orchestra.
I really don’t know how are we going to record the new album of Roxette. We are talking about it all the time, it might be a mixture. This time we might have a bit more or real playing, more than in Party Crasher where we used programmed drums. That was fun to do, we hadn’t done that before, but we’ll see.
I sort of play with my guitar what sounds natural to me. I haven’t listened to so much heavy metal music. No, that’s not my thing. But I like riffs. I like all the riffs Jonas Isascsson plays and that he came up with . I always rememberThe Look intro. That’s brilliant stuff I think. For me that sounds like it comes from The Beatles. It doesn’t sound like it comes from heavy metal. It’s a bit of both actually, but for me it sounds more like a Beatles riff. Jonas is such a great musician, he’s so technical and he can play so many styles. I am not like that at all. He’s just a hundred times better than I am. Jonas does that great. Yeah, Jonas is the best guitarist Alan Parsons ever had. I hope, Alan Parsons realizes it. You can see that he likes it. He’s into it, improvising and having fun. Playing with Jonas is great. He’s so musical, he has such a good ear and listens and adapts and always comes up with great stuff and this is wonderful.
The first couple of nights I got the stomach flu and I was bluaaaaah all over the place and I couldn’t be in the same dressing room like the others, so I wasn’t actually there in the first four nights. I sat in my own little isolation cell, no contact with anyone, no idea what was going on… Yeah, I am getting old. The guy I met in the reception was the back fixer. I haven’t been able to sleep because my arm hurts. It’s hard being a rock musician. I think it’s a combination of playing the bass and stress, maybe. You are tensed and then the muscles and nerves get squeezed..
Second and third concerts in Frankfurt were excellent. he first wasn’t that good. Stuttgart was the best so far, and the second in Munich. Dortmund next Sunday is the last one. It’s kind of sad, we’d like to go on forever. At least we had the family come down to us a couple of times in between, so I think it’s ok. All in all it’s great, when you get into it it’s wonderful to be on tour. Soon I will be home with my family, Santa Claus and Kalle Anka.
“The Proms” guys always make jokes. In Frankfurt, during Heaven 17 there is a lot of smoke on the stage, one of the violin guys from the orchestra, had a gas mask on stage, just for the fun. He’s crazy. One day he played with the violin on his back. Patrick is also fun, he’s been doing this from the beginning, he has done about 700 concerts. He is also good getting the audience to participate.
I just put the notes together. I have never studied anything about classic music. In some of my early works as a producer I just tried it out, and I learnt a lot from that. I still don’t know how to do that properly, but it works. Now Christoffer Lundquist and I do it together, none of us is really educated in this direction, so we only trust our ears.
I added the original “Wish I Could Fly” arrangements to the song for NOTP. Then we added some trumpets and stuff. Well, there are some things in “Listen to your heart” which were added by NOTP guys. We did about 90-95% of the arrangements. The Proms guys added the rest, which are mostly wind instruments.
It’s nice to get the response of the audience. It’s wonderful with Marie, she’s stronger and stronger. I think from the 4th or 5th concert it’s just going up. Marie surprised us all being this good, it’s fantastic.
Marie also added “Hey Jude”. It’s actually an old thing, Marie used to add this sometimes in some concerts too. It’s fun she does this again. She fell into it again. One line in “Place your love” is also a bit similar to “Hey Jude”, a small homage. Improvising is what great artists do. It’s difficult to do something every night, but sometimes it just works. It’s also not good to try every night to do something new, because it doesn’t always work. You just have to wait for and feel the moment.
I thought NOTP would be worse with all this waiting, and also the concept, which isn’t much Roxette. And I wasn’t sure about the audience. But I think it’s great. We do our thing, and then we have some time for ourselves. We listened to the other artists a couple of times, but not every night. I would love to do this again, with different songs.
We actually wrote arrangements for “Crash! Boom! Bang” together with “Anyone”, and back to “Crash!Boom!Bang”. It was similar to the “Room Service” tour, but with these arrangements we went back to “C!B!B” again in the end. So it was a bit different. We also did “Dressed for Success”. But I think lots of songs would fit this concept. “Queen of rain”, with Per and Marie singing the chorus together.
We will record new songs again in Bremen and in Cologne. We are just trying out things, keys, who shall sing what part and this kind of stuff. We have some songs with Marie’s vocals, guide vocals, something we can work with, and then we’ll have Marie come to the studio to sing the final vocals. We have no demos for the new Roxette songs. We only have the guitar and vocals. The idea of the songs, but it’s very basic. But I understand that fans like demos so much, I would also like to listen to the Beatles demos, for example.
NOTP is bizarre. Very much so. It’s impossible to understand, unless you see it for yourself. You have to really be a part of it to understand it. It’s really hard to describe to friends at home what we are actually doing - it’s fun, it’s great! It’s also a great step. I think it’s a very clever move of Marie, instead of doing a full tour or a full concert. She’s not ready to do those things. With Night of the Proms you share the responsibility with other artists, and you're just doing your four or five songs. And we're doing lots of shows, so she's getting back into the concert mode
Yes, it's amazing to be on tour again. There's absolutely nothing negative about this. Did I believe we'd be together like this again? I never wanted to ask myself that question. It was always up to Marie Fredriksson. And I'm amazed it goes so well. She's missed this, I can tell. She's always been a stage artist, even though she's been great in the studio too lately. Now the fans are crying mostly, a lot of scenes out there. We've recorded 14-15 songs, chosen keys, direction and stuff. Plus we're killing time. The recordings sound great. We're sticking to our Roxette sound, but hopefully updating it so it feels relevant to us and preferably others… It's my songs and Marie's voice, as always. A fifth US #1 wouldn't hurt! NOTP was good, Marie was excellent. Let's say we have a very good time at work. Now there's a huge possibility for a new album, then we'll see. It's a huge step for a real Roxette concert. It's up to Marie. A huge step.
We have started working on a new record, that's the plan. I'm filming a lot of the recordings. But on the other hand, I can't publish them, because I don't want people to hear those songs. So it's like a dead end. But I think it's fun, it's a fun way of communicating and the Internet has made everything so much easier. From a fan's point of view I think it's just fantastic to be able to see what's going on in the studio, backstage or in the tour bus. We only just started the recordings, but I wrote a lot of songs this year after the tour with Roxette in mind. We have started on two songs, but we have like 13. We have a pretty good idea of what we want to do, which is the hardest thing. So far so good. After NOTP we are going to start late January. We're recording in Christopher's studio and then we're doing Marie's vocals in Stockholm.
After Night of the Proms I'm going to work on the Roxette album. And then - I don't know. I'm sure there will be another Gyllene Tider tour, and I'm sure there will be another Per Gessle tour in Europe, as well as another Per Gessle album. You know, I'm just writing. Like this summer: we knew that Night of the Proms was going to happen and then I told Marie "let's try to do an album". Then I started working on songs, that's how I work. After that album, who knows? Maybe if we think the time is right for Gyllene Tider to do something, and then I will start working on Gyllene Tider songs. Maybe a summer tour.
The problem that I have with the Party Crasher project is that I have a non-working record company. EMI is really not working anymore. Nowhere. A little bit in England, but in England I'm with Sony. Sony is much better in England. I’ve walked my head into a wall so many times regarding that album. It was the same with Son of a Plumber when that album came out. The response I was getting from the record company was nothing. So I have to find another way. You know, it's a contract thing as well. I have to sort all these business things out. But, of course, I'm very disappointed that there hasn't been a proper American release for Son of a Plumber or Party Crasher. On the other hand, both albums are quite timeless, so eventually something could happen. Maybe if a song from Party Crasher would be in a commercial, then the whole album could happen I think. I'm not really in charge of that, but you know me - my plan is always to dominate the world. It's a tough one, though. In the music industry you’re in between chairs, so to speak. It's really hard to know what's going on and how you're going to work. There's always an opportunity to do an American tour, like I did in Europe, but that costs so much money. Someone has to pay for it, someone has to pay guys like him (Per points at Oskar, the tour manager and tech guy who laughs out loud). But I'd love to do it. The Over Europe tour, the Party Crasher tour, was one of the most fun tours ever made for me. The same goes for the band. Those were great shows, and I love that album. That's why I released a live album. Normally, when you come back from a tour, you feel like: "Yeah, well, that was the tour." But in this case it actually gave some songs new life and it just is a great testament of my catalogue of songs. I just feel very comfortable.
About the demos? Well, I have a plan for the future but it also has a lot to do with the recording contracts. I thought about something like putting my demos on iTunes or whatever. Basically because I think that if you're interested in my music, it's interesting to listen to my demos. And there are so many of them. For up until the Son of a Plumber album, there are demos for basically every song I have written. Of course some of them have been released, I did this Bad Hair Day thing and some Christmas things as well. But there are so many songs, I don't really know what to do with them, so the idea is probably to make some sort of an archive. Like I said, I have to sort out all this with the record company. I do know there's a big interest. I've been doing this for over 30 years now. When you are my age and you have this - I have written more than 1000 songs in my life - I think it's great to be able to have an archive, one that if you're interested you can listen to it. It's the same with the reason why I wanted Sven Lindström to do that book: because it's been a long career. If you wait too long, people are going to forget. Maybe you will even forget it yourself, or the ones you're working with. It's fun to do it when you're still around and you have the motivation to do it.
From time to time, Helena Josefsson and Martin Josefsson sing and play in churches, usually with the pianist Christoffer Andersson. They used the name "Sommardis" before for this trio and it is a good opportunity to see some of Sandy Mouche's members together.
It is Christmas time, good time for another concert. December 5, 2009, they have played with the trumpetist Roger Johansson (Kävlinge Golfklubb's greenkeeper) and a children's choir, in "Lions julsoaré" in Korsbacka church, Kävlinge, Skäne. The concert was arranged by Lions Club Kävlinge, a charitable secular organization.
Erik Johansson, a Swedish fan, was there and was able to buy a CD with Helena and Martin music for her friend Johanna Molander, moderator in HJ Official Forum and HJ Fanclub Portal. Helena and Martin played songs as "Hallelujah", "Pie Jesu" and "Time to say goodbye".
Artists: Helena and Martin Josefsson, singers Christoffer Andersson*, piano Roger Johansson, trumpet Lucia from Korsbackaskolan and the church's children choir. Tickets: 150 kr. Under 12 y.o. free. Buy tickets at: Hellbergs Bokhandel, Kärvlinge All the money will go to Världens barn / Children of the World. Place: Korsbacka kyrka. Time: 16.00 - 2009/12/05
(*Updated: Finally, Christoffer Andersson could not play this time. Martin's brother played the piano)
For two nights, Malin Nilsson has played her magic show at Teater 23 in Malmö, 13 and 14 November. The show is a mix of magic and music and includes Helena Josefsson's songs. Emma Sonesson (aka BiLLY), administrator of the HJ Fanclub Portal, wrote in her blog: "I was there with Erik and Johanna. We watched a funny magic show. Helena Josefsson was a guest but it was actually very funny, I've never been to anything like that before. Thank you Helena :)".
"I am lucky. I have got the best friends in the world. Some were in the audience. Otheres were waiting behind Variety Vauduvill’s red velvet curtain waiting to hear their names in the loudspeakers. Before the opening Sweden’s foremost spoken word poet Emil Jensen had said in the paper he writes for that the variety will be a chance to see ”the best singer and the best magician together on the same stage. Everything could happen. And probably will.” And it did. Emil, you were right as usual. The gallery at my website will soon be updated with photos taken by Karl Larsson at bitsize.se . But at the time being our good friend and photographer Lars Brundin has put some of his great shots in his Face Book gallery, check them out here: Lars Brundin's facebook gallery. Untill next time."
Photo by Lars Brundin
We recognize some of the pretty suits that Helena Josefsson's has worn with Sandy Mouche last years.
Malin kindly answered to LJdM's questions in her blog:
"It was amazing! It can’t be described in words. As you might suspect Helena Josefsson was a great success, introducing her to my audience was one of the best things I have done on stage. I love her visual sense and creating magic to her tunes was an amazing process that has just begun … I am new in the blog sphere and haven’t gone ‘official’ with my blog yet, but it is nice to see that you found your way here anyway. Keep in touch."
Photo by Lars Brundin
Helena Josefsson singing 'Ghosts' - Photo by Lars Brundin
We are sure Malin and Helena's fans are waiting for more shows next spring 2010. Meanwhile, if you are in the United States, try to follow Malin Nilsson's shows. It's worth it.
According to her own website, Helena Josefsson will take part in a Magic show with her friend Malin Nilsson in November 2009 and in Spring 2010.
Both Helena and Malin were interviewed by Yvonne Erlandsson in Skånskan.se. The cooperation started when Malin Nilsson was invited by Sandy Mouche at KB in Malmö some years ago in a gig of Helena Josefsson’s band. Helena “wanted someone who created a fabulous atmosphere and Malin fitted exactly”. Malin is used to music in her performances. Malin loves Helena’s music and says “it’s so cool that Helena could think so much in pictures”. “We both want to do something new, something bigger than ourselves. Art, that’s why you get up in the morning”, says Malin. According to Yvonne Erlandson, Helena began to study for becoming optician but gave up because she needed to be musician to feel alive.
As it is said in Malmö Lokaltidningen, Malin Nilsson is going to work in the United States (New York and Los Angeles) this winter. In Spring 2010, Malin and Helena will join again for some gigs together. You can follow Malin's stories in her blog.
The duo combines pop and magic and will premiere at Teater 23 in Malmö, 13 and 14 November, and will continue in March. The singer and actor Emil Jensen says to Efterarbetet.etc.se that it was an opportunity to see the best magician and the best singer together: "Bästa sångerskan och bästa trollkarlen på en och samma scen. Allt borde kunna hända. Och kommer nog att göra det."
I am playing with my friend Malin Nilsson, who is a magician (www.malinnilsson.se) and I will be a guest at her show in November!
Malin & Vänner / Malin and Friends
Malin Nilsson (magician), Helena Josefsson (singer) and Hans-Inge Magnusson (piano). Guests: Thorsten Andreasen, Jonas Södergren and Helena Kågemark
Fre 13 nov kl. 20:00
Plats: Teater 23, Djäknegatan 7, Malmö Arrangör: Trollkonst: Stage Art & Production Onumrerat. Tillgängliga biljetter: 88 (av 140)
Lör 14 nov kl. 20:00 Plats: Teater 23, Djäknegatan 7, Malmö Arrangör: Trollkonst: Stage Art & Production Onumrerat. Tillgängliga biljetter: 91 (av 140)
And in spring we will make our very own show, with her magic tricks and my popmusic in an exciting fusion! It is so much fun and it is a dream coming true to me.... When we rehearse dwith the pianist Hans-Inge Magnusson I felt like we were a band.
I have recorded a song and made a video with my family and friends, it is called “Fen & jag”!
While waiting for my second solo album to get released, I have made this song together with Martinique and Per Blomgren from my band Sandy Mouche in Per's garage studio, just for the fun of it and to give something to you who wait patiently! I wrote it and they produced it for me.
It is about how I met a fairy one day who said she could give me a new life, to live my life all over again, so I could erase my mistakes and get released from the sadness I have gone through. But my answer to her is, that I now understand that all the tears and the laughter would lead me to where I am today, and I don´t want to change a thing. It was all worth it. Now that I have managed to get a child and my own, new family. When the vocals were recorded, my baby boy was sitting on the floor playing. You can actually hear him in the song, too! At 1.17!
The new single “Fen & jag” has a cute cover made by Martinique and you can download it at CDBaby.com. Unfortunately my homepage is dead at the moment, but just wait a couple of days and it will be back!
This song is not on the album, it is just a present for you! And some amusement for myself, because I needed to have a little fun instead of just waiting. The video crew is my sisters Sofia Josefsson (photography) and Carolina Josefsson (assistant) and my friends Annette Lindqvist (script) and Jens Jansson (cut)! Recorded in Skanör, on the very south edge of Sweden.
Per Gessle posted on his Twitter the lastest Helena Josefsson’s video called “Fen & Jag”. Suprisingly, her official website is no longer available, so we know nothing about the release dates. I really like the song, though I expected the second album would be in English as the first one was. But this time she decided to record sthg in Swedish. Sounds fresh, interesting and much Helen-ish!
Hej Helena, I've just seen your new video. It looks so lovely in comparison to those clips which we get from MTV. The sea, sand and you having fun on the beach without unnecessary nudity or strange dancing figures. Love it. It's a pity that I don't understand the lyrics but still I'm glad to hear you singing in your native tongue. As far as I can remember once I asked you if you would ever consider singing in Swedish and here's my reply. :) Nice treat after a hard working weekend of mine. Thanks.
Have already downloaded the song from CDBaby a couple of hours ago. The cover is great, can't wait to listen to the whole album!!! Wow, how cool!!!! Your new song is fantastic, amazing, SPEACHLESS!!!!!! ))) Thank you very very much for keeping on, working, dreaming, shearing! All the warmest regards for this October weekend to you, M. & CD! Kram, Ilya.
090909 the Beatles remasters were released today (by EMI), both in stereo and in mono, now EMI is releasing Roxette's entire album catalog remastered, albeit only in stereo… "The Rox Archives." Erik Broheden at Masters of Audio (former Polar Mastering) has remastered the albums. According to TDR, "very nice looking sleeves, quite disappointing booklets and the albums sound terrific in headphones."
Roxette is taking part in the Nokia Night of the Proms 2009 tour along with many other top artists. EMI Germany has released the full list of the NOTP concerts where Roxette will perform. Roxette's band will include Marie Fredriksson, Per Gessle, Clarence Öfwerman, Christoffer Lundquist (P, C & C), Jonas Isaacson and drummer Pelle Alsing.
TDR interviewed Per Gessle before his trip to New York September 23. Read it.
You can also read the final recording blog of Brandur Enni, the Feroe Islands' artist that has been at AGM Studios this year with Christoffer Lundquist.
First of all 'Night of the Proms' is a great opportunity for Marie and myself to get back together again without trying to do a full-scale Roxette concert. At this point we'd like to take everything concerning Roxette step by step. We take everything step by step. Time will tell how much she wants to work the stage. I don't know yet. But I don't consider this to be a problem. Marie's voice and presence are still magical. Enjoy the shows. We certainly will.
It will be thrilling to perform some of our biggest songs (especially "Wish I Could Fly," "It Must Have Been Love" and "Listen to Your Heart") with a big orchestra & choir. Clarence's & Christoffer's arrangements are truly stunning. And the idea of having strings on "The Look" sounds very South Park to me. I love it.
I'm sure there will be DVD:s released with our Prom-performances. Full orchestral album? Not on the agenda at the moment, no. We're actually bringing a serious amount of equipment to Belgium & Holland to make some groundbreaking recordings in the hotel corridors… I'm born, raised and bred on 7"-singles. Every thing I create starts off as a "single" in my head. That's the way I am, that's how I work. But the decision what should/shouldn't become a radio-single or the lead teaser for an album is basically made by the various record companies. You have to trust that they know their own markets. At least, that's what you would expect in the olden days when we were having tea with the Queen.
I'm a writer. I love to write songs. Then I love to record them. So yes, I always find myself halfway into a recording situation and it would be lovely to make some new splendid landmarks with the divine Ms. F. We'll see what happens and check our pulses. But yes, we'd love to make some more recordings as Roxette.
Most of the stuff that Roxette's fans are interested in is owned by jolly EMI and at the moment it's really hard to get any answers or directions out of them. They're in a complicated state of business. We're still trying to grab a decent record deal in US for these two up and coming youngsters, Marie & Per. I guess big things will happen in due time. However, we try to be on the case as we'd love to have everything available just as much as you do. Trust me. We all shoot film all the time. We'll use the best parts down the road, like we've always done. I'd love us to do another great album and a world tour again. I won't promise it will happen though. But it certainly would be great fun. I'm sure that a Gyllene Tider reunion will happen one of these years too. It's a great little band.
I only make acoustic demos these days. No arrangements, no intros, no solos, no double choruses. I leave all that to the real studio sessions. It's more fun like that. Much more creative. I love the input I'm getting from C&C.
My new album ("Sometimes truth needs a lie") was finished Friday night at 10pm - September 11th. It was a crazy feeling... something deep inside me said that this was worth a celebration, but we had worked 24/7 in an almost three-week-race, so Christoffer Lundquist wanted finally to be with his family which I totally understand...so I went down to the little house where I'd stayed, feeling kind of melancholic and proud at the same time - and extremely hungry for some crazy party - the only problem was that I was all by myself in a little house in the middle of a dark forest - not knowing a soul. I drank some bear and put some Swedish "snus" under my lip, what I never do unless something very special's happened...I tried to read a novel, the only one that seemed interesting for the time being, but I got restless and bored. Then I hear somebody's screaming/singing Gasolin songs somewhere in a distance. I go outside and find that my only neighbor is having one hell of party! But I'm too shy to go over and join them...I tell myself that I can't just walk in there if he's having a very personal party. I made pictures of the situation turning creepy with a stranger suddenly turning up. But after walking around my house for half an hour hearing their wild karaoke songs, I felt so alone that I finally built up some courage and grabbed my guitar and went over to introduce myself as the new neighbor! It turned out to be one of the very best parties I've ever joined...the hosts were the warmest people you can imagine...we played and sang all through the night. No club or magical bar could ever compete with that spontaneous garden party!
stockfinster is the artistic name of Sebastian Borg (a.k.a. Batti), a producer from Malmö, Sweden. He writes, plays, arranges and mixes everything, sometimes with a little help from his musical friends. One of them is Helena Josefsson, who has recorded the vocals of some songs in his recording studio, Gula Studion in Malmö.
stockfinster unofficially uploaded three works, Red wood (June, 2004), Sunset (January, 2005) and Car Crash (June, 2009) in Bandcamp.com. He also released his debut album, All becomes music (October, 2005), in Sutemos, an On-line label from Lithuania.
His second official album is Dead lineand can be downloaded for free in Sutemos today. The album includes thirteen songs:
This is what Sebastian Borg himself tells about the album:
"It's been four years since my last release at Sutemos. So what have I been up to? I guess the answer lies in the music you are about to download. My production rate just keeps getting slower and slower and I have reluctantly started to accept that this is just the way I am; I am simply unable to speed up the creative process. I have actually considered to stop making music altogether just to get rid of this frustration, but I know this is not possible. I have no choice but to keep on working and to try and at least finish something... anything ...
So why does it take such a long time? The answer is choices. Every idea, no matter how small, offers an endless amount of new ideas and possibilities that you must either choose to pursue or ignore. Some people are able to make this choice very quickly but I am simply unable to leave any stone unturned. I spend hours, if not days and months, working on a track just to scrap the whole thing and start over from scratch again. This is, of course, a time consuming process, but I can not have it any other way. I have found that if I do not let this process take place, the track will never sit right with me. It will feel unfulfilled and I will most probably not like it. I need to live with a track for a long period of time to be able to decide which direction to go next. So, in fact, it is not that I work on my songs for a long time, I just work on them for a long period of time. There is a difference.
I always try to do everything myself, but often I have to look to my dear friends for help. Without these people, my music would not be the same. Thank you, guys!
All tracks are mastered by Ola Strandh except on tracks 6 and 12.
All vocals are by Helena Josefsson except on track 11 .
01. 'Push Push' (from "Red wood", 2004)
02. On 'Daypusher', the spoken voice is Kerim Arhan. Some extra sounds were provided by Magnus Hedberg. Callin Ohrvall Delmar also contributed a lot to this track.
03. On 'Think Again' (from "Car crash", 2009), the trumpet was played by Petter Lindgard.
04. 'Poly6' (from "Sunset", 2005)
05. 'Knuckle' (from "Sunset", 2005)
06. On 'Gold Canyon', the Rhodes was played by Mats Bengsson. This song was mastered by Christoffer Leary at Melograf Mastering.
07. 'Mitglieder'
08. 'Slow Ghost'
09. 'Don't Point Your Paw At Me' (from "Sunset", 2005)
10. On 'Sailing Through The Bardo', the chord progression was written and played by Markus Slivka
11. On 'Seventeen Days', Callin Ohrvall Delmar is singing
12. 'The Cabin' was mastered by myself.
13. 'The Dead'
So here you have thirteen new tracks. They range from very old to brand new tracks, but I don't think it is obvious which ones are which. As I listen back to this collection of songs I feel happy. There are no stones left unturned. Everything is in its right place. I hope you will feel the same way." Enjoy."
So five songs come from previous works. Helena Josefsson's voice features in most of the tracks that include vocals, although it does not seem she has been in the studio again: many of the original recordings were made between 2003 and 2005 in Gula Studion. Anyway, a great opportunity to listen to Helena again.
'Le Journal des Mouches' is an unofficial compilation of news made by fans for fans.
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Editor and Publisher: Alberto Fuente, aka Lantartida (from Madrid, Spain - now living in London, UK).
The blog includes articles and opinions of musicians (Helena Josefsson, Martinique, Gessle ...) and interesting words by some fans (thank you all) written in other websites and forums.
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Editor's note: I didn't use others words to win anything. I just wanted to compilate information about my favourite artists. If you find any information or photos that shouldn't be here, don't hesitate to tell me.
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If you wanna be the new LJdM's editor, join or write an article here with your signature, just knock on the door: lantartida (at) yahoo(dot)es. Without help, this blog will be empty.
[01] Push Push .. 4:02 
