9 Feb 2005

Sandy Mouche's White Lucky Dragon (VI): Local promo gigs and C'est pas juste video

Directed by Per & Ola Blomgren


White Lucky Dragon's
Local Promo Gigs 2005.
Malmö- Lund

* Chokladfabriken i Malmö 2005 · 02 · 02

Bergsgatan 33, 214 22 Malmö.
http://www.chokladfabrik.se/


* Solidaritetsdag i Lund 2005 · 02 · 05


* Inkonst i Malmö 2005 · 02 · 08

15 Jan 2005

Sandy Mouche's White Lucky Dragon (V): Tsunami and Cherry Pie

According to Sydsvenskan.se, Helena Josefsson and Martinique Nilsson from Sandy Mouche took part in the Red Cross' Gala for Asian Tsunami disaster in Malmö's Opera and Music Theatre last Sunday 9th January 2005. The gala was planned by Ove Dahlström and musicians Mikael Wiehe and Eddie Nyström.

1470 tickets (400 kronor each one), were sold and they got 638740 kronor in total. Artists, including Nina Persson with Niclas Frisk, Danne Stråhed Band, Jaques Werup, Eva Rydberg, Gonza Blatteskånska (Advance Patrol), Dajana Lööf and Jan Malmsjö, play for free.

Meanwhile, the video of their song "Cherry Pie" has been released and they have played in Malmö.


Directed by Johan Tholsson




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Restaurang SMAK-Malmö Konsthall
S:t Johannesgatan 7
211 46 Malmö







12 Jan 2005

P, C & C have a party in their heads (II): Byrds, Troggs and other news about Gessle and AGM Studios

“I dag är det min födelsedag…” (“Today it’s my birthday…”) Per Gessle sang on “Mazarin” and while the song wasn’t written in January, it’s his birthday 46th today. Per also has promised The Daily Roxette a new project in 2005, so we await that eagerly. Is it going to be a new solo album? We’ll see! He has been working in the studio again with Christoffer Lundquist and Clarence Öfwerman.

According to TT Spektra, Per Gessle will be one of the interviewees in Swedish national television’s new series “Sixties.” He will be one of the artists telling about the 60s influences in his music, especially The Byrds and The Troggs.

Gyllene Tider received two Aftonbladet Rockbjörn awards for their outstanding performance in 2004. According to Expressen, Per paid 9,563,784 SEK (1,049,800 Euros) of taxes in 2003. With this figure he was the second biggest tax payer in Halmstad. The third single from Gyllene Tider's “Finn 5 Fel!” will be “Jag borde förstås vetat bättre" and the release date for the single will be February 2. The tracklist is still: 1. Jag borde förstås vetat bättre; 2. Speciell (T&A demo); 3. Tuffa Tider (T&A demo).


We have news from Metro Jets (Magnus Borjeson and David Birde). The last months they have been working in Brainpool's Rock Opera, Junk, but now they are working in a new album at Chris Lundquist's Aerosol Grey Machine Studio in Skäne.
Red light on! Studio? What studio? Rather than recording more of their brilliant material, Metro Jets spent last year playing comedy shows and rock opera. I´m not kidding you. This is a strange world (yeah, as if you didn´t know that already). Anyway. We have put an end to that now. We had to. Metro Jets are being driven to the studio as you read this. The studio is not even located in the city, so there is no way that they can get out without me picking them up. Car? What car? No car for you. Metro Jets next release will be out this spring.




I listen to any kind of music. I do have a especially strong love for pop and rock music made roughly between 1965 and 1975. In that period there was so much amazing music made I can't believe it. The Beatles, The Who, Crosby,Stills and Nash, Joni Mitchell, Small Faces, Led Zeppelin, Dr.John, The Band, Genesis, Yes, Van Der Graaf Generator, Simon and Garfunkel etc etc etc. This list could fill the whole page if I would continue...and all the soul music recorded in this period, the Motown stuff, Stax, Ray Charles, Aretha Franklin...not to speak of country music from the same period: Tammy Wynette, Patsy Cline, Dolly Parton. Fantastic music! But I listen to so much different music from any period including contemporary music and classical music. To tell you the truth I'm a totally single-minded music nerd. I'm really not interested in anything else. After a 12-14 hour working day in the studio I often wind down by - listening to music!
Chris Lundquist (Junk Musik)
Christoffer Lundquist - AGM Studios

5 Jan 2005

Helena Josefsson, backing singer at Tambourine Studios and Gula Studion (XIII): Stockfinster - Sunset

Stockfinster - Sunset (2005)

stockfinster is the artistic name of Sebastian Borg (a.k.a. Batti), a producer from Malmö, Sweden. He writes, plays, arranges and mixes everything, sometimes with a little help from his musical friends. Batti is the co-owner of the recording studio Gula Studion in Malmö.
2005 Sebastian Borg ("Batti") - stockfinster

stockfinster uploaded his first work, Red wood, last June 2004 in Bandcamp.com, including a song with Helena Josefsson's vocals, 'Dismantled'.

The second work is
Sunset and can be downloaded for free in the same website today. There are no plans to release officially these albums as real CDs and stockfinster has signed no record-label contract. The album includes nine songs recorded during the last two years.


1.

2.
clark kent 05:05

3.
polysix 04:52

4.
verge 05:20

5.

6.
fruitcake 03:22

7.

8.
knuckle 05:39

9.
snow 07:21



This is what Sebastian Borg himself tells about these songs:
"01. In 'Don't point your paw at me', the voice sample is from an authentic radio show (or was it a tv show?) from the 50’s. I have a bunch of these samples. They were meant to be educational and cover topics such as how babies are made and girl’s menstruation. My idea was to create something that had the same punch as a Prodigy track, but I don’t think I quite pulled it off.

02. 'Clark Kent' marks the introduction of the music software program Ableton Live. I had been using Cubase/Reason until then. This track would not have been made if not for Ableton. The vocals are by Helena Josefsson.

02. 'Last laugh' has a kinship with other track, ”Last Report”. I came up with the idea while working on ”Last Report” and it features a lot of the same sounds. The laughter is my sister-in-law’s son, two years old, or something, at the time. He’s seven now…

03. 'Polysix' is another favourite track. I came up with the main theme on my only piece of hardware, a Korg Polysix (hence the title). The breathing is Kerim, the singer in the former band, stockfinster. I nicked it from one of his vocal takes, just as he is beginning to sing.

04. In 'Verge', I wanted to try out an effect in Cubase and programmed a random a drum beat that actually became the main drum loop. The working title was ”If you come any closer, I’ll jump” which I thought was brilliant at the time. When Helena Josefsson came in to do some vocals we were out of ideas, something that normally never happens. She then suggested she’d sing something in French which, to be honest, I was not too sure about. I did not have any lyrics prepared, so I asked Helena to just sing the working title – in French. I am not sure if she actually got it grammatically correct. The voice sample is from the movie ”Killing Zoë” and I thought the French accent was befitting.

05. 'Spreading myself thin' was finished so fast, I don’t even remember making it.

06. 'Fruitcake' is one of my favourite tracks. I don’t think I have produced something quite like it before. The voice sample is from the movie ”Helter Skelter”. My favourite part is the sound that comes in at 2:17 and lasts until 2:29. Listen closely to be able to hear it. It is Helena Josefsson singing, but the vocals are re-used from another track (I don’t remember which).

07. In 'Why are you so happy?', a friend of mine had come up with a piano part and I suggested that he used the same kind of drum beat as in the Nine Inch Nails’ track ”La Mer”. Eventually I ended up using the idea myself. Ola Strandh is playing the drums. I kind of wanted this track to trot along like a track by Ulrich Schnauss but I don’t think I nailed it.

08. In 'Knuckle', I really like the fact that there is a drum loop right from the beginning. I always find it difficult starting a track with drums. The drum loop is typical of Ableton Live’s sound. The voice sample is from the same educational films as in ”Don’t Point Your Paw At Me” – only this time it is a girl speaking. I actually played a real melodica on this track. I then discovered that a soft synth sounds a lot like the real deal. Helena Josefsson is singing – yet again.

09. 'Snow' was used for the end credits in the film ”Last Day”, for which I composed the music. It is the only track that was not written especially for the film.
Helena Josefsson's voice features in tracks 02, 04, 06 and 08. A new collaboration of the singer in this style, even being more present. Most of recordings were made in 2003 and 2004 in Gula Studion.

27 Dec 2004

P, C & C have a party in their heads (I): new plans, good plans

The year ends and we can remember some old news related to Per Gessle, Clarence Öfwerman and Christoffer Lundquist.

The huge event was Gyllene Tider’s recording of a new album and 25th anniversary tour. This long-awaited reunion took Sweden by storm. Almost half a million people saw the boys back on stage, performing their evergreen songs to sold-out arenas and a multitude of new fans.

In October, Per received “Lyricist and/or Composer of the year” award at the Musikförläggarnas Pris (Music Publishers’ Prize) and “Best Nordic Male Artist” at the first Swedish version of Kids Choice Awards. Later that month Gyllene Tider won a Nordic Music Award as the “Best Swedish artist” and Per was awarded by the Swedish Performing Rights Society (STIM) with a platinum STIM Guitar award for his career. According to Visa Kopu, from TDR, "probably the only award Per didn’t win this year was the “Halland Resident of All Time,” which went to “Beda Hallberg, the woman who came up with the idea almost a hundred years ago of selling small paper flowers on May Day to raise funds to fight tuberculosis.” I guess selling paper flowers to fight tuberculosis does beat selling Gyllene Tider DVDs to buy a new Ferrari."

During the last months, a new records company has been created in Sweden. The members of the project are well-known by LJdM: Christoffer Lundquist, David Birde, Jens Jansson (Brainpool), Magnus Börjeson and Anders Mildner (Beagle). They are trying to release digital music. We will have more news very soon. They could have their own website in Spring 2005. The first album by this record company was Brainpool's rock opera Junk, premiered in August.

SOAP - Album Pictures 07

Per Gessle has said in interviews with the Swedish press that he is tired and will release new solo material in 2006, but he told The Daily Roxette “there will be an album in 2005” because he just can’t rest. In fact, since a few days, P, C & C are in the Aerosol Grey Machine Studios again recording some new songs, probably in English.



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He-he-hey!!! Just a quickie from jolly Halmstad to wish y’all a splendid 2005!! 2004 made us very happy indeed with a great album from Marie as well as a quite successful album/tour from the old fellas in GeeTee. You can always rely on homecooking! Hope all of you are making progress in life’s neverending goobledegook and that we might bump into each other some day soon. Who knows what 2005 will bring? Lots of luv and happiness from

P.H. Gezzle

15 Dec 2004

Sandy Mouche's White Lucky Dragon (IV): interviewed from Canada

Here is the info to the 20 online questions that I did with Sandy Mouche on the www.itsatrap.com website which talks about Scandinavian music in general.
It's a trap

Sandy Mouche is a breath of fresh air from the Swedish music scene. They've put out a few demos, a number of singles, an ep and an album called "White lucky dragon" which was one of my favourite albums of 2004. Sandy Mouche sing in both English and French, sometimes even in the same song. I asked them 20 questions that will hopefully explain what makes Sandy Mouche tick... we'll see if they consider themselves more "pop" than "rock", why they sing in French and what inspires them.

a little side note: vocalist Helena has also worked on Per Gessle's (Roxette) new project.

01. Where does Sandy Mouche come from? name? concept? meaning if any?

The name was born on a Greek island when Martinique, Helena and Per were there on vacation. They decided to start a band. Per played with the sand and came up with Sandy and Helena saw that all three of them had Mouches (brown Madonna dots in the face). The result was the band's name Sandy Mouche. We have realised that it's not just a name but a person as well. A person who lives in every member of Sandy Mouche and who helps them when time seems pointless and grey. We're all together on a journey to make the world a better place. (See website for fairytale version).

02. Do you prefer to be described as pop or a rock band and why?

Pop. Our music is a bit softer than standard rock and it's not all based on loud guitars.

03. What Swedish bands have most influenced you?

None. Only Fairytale music for films of the Swedeish writer Astrid Lingren.

04. What band (outside of Sweden) would you all agree is a big influence on the band?

The French singer Joe Dassin, France Gall, Cindy Lauper, The Twin Peaks music, Beatles, Michael Jackson, Type o Negative.

05. Besides music, what influenced the band to start making music? movies? books? media? sex???

Some movie music is just great. We have all grown up with fairytales and music to the fairytale movies and that is very powerful. Besides that it's the fact that we just love to create music and play together. We have always had a dream about music being our daily job.

06. What movie would best describe Sandy Mouche if you had to pick one?

Astrid Lindgren's "Bröderna Lejonhjärta"

07. Why did you choose to sing in French and English? Is it popular in Sweden to sing in your native tongue nowadays? why not sing in Swedish? Did you make a conscious decision to sing this way?

We like both the English language and the French language so we do a combination of the two. French is beautiful. Martinique has relatives in France and he went there every summer when he was a little boy. So he has great memories and inspiration from that time. We want our music to fly over the borders of Sweden and reach the whole world so therefore we don't sing in Swedish. But if you want to break in Sweden, Swedish is probably the best way.

08. How has technology influenced the band?

We can do simple demos at home very easily thanks to computers, so that is great.

09. Do you prefer analog or digital? for recording, gear and aesthetics?

"White lucky dragon" was recorded in an analog studio. We liked it. But it's not a must for us. I think you can create magic digitally as well. When were playing live it's a mix of vintage and digital stuff.

10. How does Sandy Mouche fit into the Swedish music scene? Are you considered underground or outsiders?

Hmmm... We think we fit in perfectly but we need more money (for promotion) to break through the fog of all mainstream radio hits that torture the Swedes every day. At the moment we are somewere between underground and overground we think.

11. What are the other cool bands in Sweden these days?

Logh.

12. Describe an average Sandy Mouche fan. What kind of person would dig Sandy Mouche?

Maybe a person who needs a little more love in life? Maybe a really macho guy with bad self-confidence. Or maybe the average person with a 9-5 workday that enjoys life. Hmmm, I think all kinds of people actually =)

14. How does art affect your daily lives if at all?

As in paintings it doesn't affect but maybe plays at the theatre or ballets. Everything that makes us react.

15. If you would describe the band in only 3 words (no more no less) what three words would they be?

White lucky dragon (It has nothing to do with rasism I assure u =)

16. In your opinion, who is the most famous swedish person? (alive or dead, musical or non musical)

Abba or Alfred Nobel maybe?

17. What is the coolest places in Sweden that most Swedes don't know about?

An island called Valö with orange cliffs and a big bird.

18. What does the future hold for Sandy Mouche? (keep in mind these questions where answered in December 2004...)

We have just finished the video for the song "Papillon" and it will be out in Sweden in the beginning of January. In February we return to the studio to do our second album. We will try to get a deal with a major company here in Sweden so that they can help us reach other countries.

19. Since I'm from Canada... what do you think of when you think of Canada?

We think of a calm beautiful place where you can speak french and where there is snow. Calm in the sense of more calm then USA where it seems that everyone must own a gun to feel safe and so on. Maybe a place more down to earth. Icehockey! We like Canada =)

20. Since I'm French I have one last little question: What would be your favorite French word or phrase? (each member please list at least one)

Helena: Tarte au pomme

Martinique: Planche a voile

Per: Révolution

Ola: Amour

Marc Xavier Leblanc, DJ Bones